David Hare 在《Beat the Devil》中对冠状病毒和他的政治愤怒的回忆录:科维德独白

Kübra VURAL ÖZBEY
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摘要

在《打败恶魔》(Beat the Devil:在《击败恶魔:冠状病毒独白》(2020 年)中,大卫-黑尔(David Hare)以个人身份讲述了他在冠状病毒-19 大流行初期(2020 年 3 月中旬至 4 月第一周)的患病经历。在这部独白剧中,戴维-黑尔讲述了自己的身体在冠状病毒侵袭下的衰败过程,然后讲述了自己的康复过程。一方面,该剧似乎是剧作家与 Covid-19 病毒斗争经历的个人纪事。另一方面,Hare 讲述了英国和世界范围内有关病毒的新闻,揭示了这场危机的国家和集体记忆。作为一名经常以政治现实和热点问题为题材的剧作家,黑尔将他的个人记忆与大流行病的集体记录交织在一起,谴责那些无法应对模棱两可情况的领导人。因此,他的回忆录不仅揭示了黑尔的政治评论,也揭示了他的政治愤怒,因为在谈到保守党未能保护国内人民免受病毒感染时,他的语气中充满了愤怒和失望。本文介入哈雷的独白剧《打败魔鬼》,研究剧作家对自传和集体记忆的运用,并评价哈雷在探讨冠状病毒时所表达的政治愤怒。
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David Hare’s Memoir of Coronavirus and His Political Rage in Beat the Devil: A Covid Monologue
In Beat the Devil: A Covid Monologue (2020), David Hare gives a personal account of his illness period during the early stage of the Covid-19 pandemic, from the middle of March 2020 to the first week of April. In this monologue play, Hare deals with the decay of his body under the attack of the coronavirus and then dwells on his recovery process. On the one hand, this play appears to be a personal chronicle of the playwright’s experience with the Covid-19 virus. On the other hand, Hare’s narration of the news about the virus from the United Kingdom and the world serves to reveal national and collective memory of the crisis. As a playwright who frequently works on political realities and topical issues, Hare intermingles his personal memory and the collective record of the pandemic to censure the leaders incapable of coping with ambiguous circumstances. Thus, his memoir unveils not only Hare’s political commentary but also his political rage as his tone is tinged with anger and disappointment when it comes to the Conservative Party’s failure to protect people against the virus in the country. This paper intervenes in Hare’s monologue play, Beat the Devil, to investigate the playwright’s use of autobiographical and collective memory and evaluates Hare’s expression of political rage in his exploration of the coronavirus.
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