阿尼萨拉加对 "西雅图极 "的主张

IF 0.3 2区 艺术学 0 ART American Art Pub Date : 2023-09-01 DOI:10.1086/727542
Emily L. Moore
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引用次数: 0

摘要

西雅图图腾柱 "是西雅图商人于 1899 年从阿拉斯加盗走的塔安塔安特林吉特图腾柱。尽管图腾柱被盗的历史在西北海岸广为人知,但土著居民为夺回图腾柱所做的努力却没有得到充分的记录。本文探讨的是一位名叫阿尼萨-拉格-亨特(Mary Ebbets Hunt)的特林吉特妇女在报纸上发表的一份鲜为人知的声明,她根据特林吉特关于 "at.óow "和其他徽章物品的版权法要求收回这根柱子。在特林吉特文化中,委托氏族(而不是艺术家)有权展示和委托制作徽章并讲述相关故事。本文从特林吉特版权法与西方父系继承法的关系入手,探讨了像 Anisa̱lag̱a 这样的特林吉特人在寻求氏族徽章失窃赔偿时必须进行谈判的问题。
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Anisa̱lag̱a’s Claim to the “Seattle Pole”
The “Seattle Pole” is a Taantʼa ḵwáan G̱aanax̱.ádi Tlingit totem pole that Seattle businessmen stole from Alaska in 1899 and that still stands in replica in Seattleʼs Pioneer Square today. Although the history of its heist is well-known on the Northwest Coast, the efforts of Indigenous people to reclaim it are not well-documented. This essay considers a little-known newspaper statement of a Tlingit woman named Anisa̱lag̱a (Mary Ebbets Hunt) who claimed the pole based on Tlingit copyright law for at.óow and other crest objects. In Tlingit culture, the commissioning clan (and not the artist) has the right to display and commission at.óow and tell their associated stories. The paper considers Tlingit copyright law in relationship to Western patrilineal inheritance laws that Tlingit people like Anisa̱lag̱a had to negotiate in seeking settlement for the theft of clan at.óow.
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
20
期刊介绍: American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.
期刊最新文献
The future of work in shaping the employment inclusion of young adults with disabilities: a qualitative study. Anisa̱lag̱a’s Claim to the “Seattle Pole” Copyright and Creative Practice Monumental Absence Drawing in the Daily News
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