野外陶艺深度测绘和亚当-别克的月光罐

IF 0.3 0 ART Craft Research Pub Date : 2023-09-01 DOI:10.1386/crre_00106_1
Tara Chittenden
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引用次数: 0

摘要

当我们想方设法探索人类对环境的影响,并强调手工艺在地理干预中的作用时,与地形的创造性接触以及记录和表现地方风貌的尝试变得越来越重要。陶艺家亚当-别克(Adam Buick)在当地环境中行走、挖掘粘土和收集材料时,与景观保持着内在的物理联系。他的创作过程形成了一系列深层地图,并通过他的陶瓷作品显现出来。深度制图 "既是一个概念,也是一种实践,指的是艺术家、科学家和学者试图捕捉与特定地点相关的不同意义和纹理的一种方法。本文讨论了深度制图作为一种工艺研究方法的潜力。为此,文章以《地球到地球》(2011-12 年)为案例,别克在该作品中使用延时摄影记录了他的生粘土月亮罐的风化过程。他拍摄的影片和照片讲述了一个关于运动、时间和演变的故事。别克的罐子让人们注意到,我们所操纵的物质是环境对话和变化见证的主体。深层地图为一种方法论提供了可能性,这种方法论接受多重性、同时性和复杂性,鼓励从空间角度理解我们的工艺故事和产品。作为一种对话而非陈述,深层地图本质上是不稳定的,会根据新数据和新见解不断展开和变化。别克的罐子不仅仅是一个坍塌或失败的罐子,更是一个探险的深度地图。
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Ceramics in the wild: Deep mapping and the moon jars of Adam Buick
Creative encounters with topography and attempts to record and represent the patina of place become of growing importance as we find ways to explore human impact on our environment and to foreground the role of craft as a geo-intervention. Ceramicist Adam Buick maintains an inherently physical connection with the landscape as he walks through the local environment and as he digs for clay and collects materials. His process forms a series of deep maps, which emerge through his ceramic work. Both a concept and a practice, ‘deep mapping’ refers to an approach in which artists, scientists and scholars attempt to capture the different meanings and textures that are associated with particular places. This article discusses the potential of deep mapping as a craft research methodology. To do so, it takes as a case study Earth to Earth (2011–12), in which Buick documents the weathering away of his raw clay moon jar using time-lapse photography. His resulting film and photographic stills tell a story of movement, time and evolution. Buick’s jars draw attention to the matter we manipulate as being subject to its own environmental conversations and witnessing of change. The deep map offers the potential for a methodology that embraces multiplicity, simultaneity and complexity, encouraging a spatially facilitated understanding of our craft stories and products. Framed as a conversation and not a statement, deep maps are inherently unstable, continually unfolding and changing in response to new data and new insights. More than a collapsed or failed pot, Buick’s jars are a deep map of an adventure.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
期刊最新文献
Knittedness: On the expressivity of knitting as metaphoric process Ceramics in the wild: Deep mapping and the moon jars of Adam Buick Tarmo Thorström: A forward-thinking lace artist Learning in online and physical craft groups: Motivations and meanings Making: Place, material and metaphor
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