{"title":"表述不清，合作抗议","authors":"Grace shinhae Jun, Anthony Blacksher","doi":"10.5429/2079-3871(2023)v13i2.3en","DOIUrl":null,"url":null,"abstract":"In this paper, members of COLLECTIVE reflect on the show Illegible and the specific performance for Mr. Olango’s family. Using an auto-ethnographic approach, this paper explores the role of artists in transforming critical scholarship and social protests into social justice advocacy, particularly around issues of representation, inequality, systemic racism, and police violence as experienced by Black men. In exploring the creative processes and impact of this performance, Illegible offers lyrics, movement, and music as representative of distinct and collaborative protests against anti-Black racism.","PeriodicalId":36498,"journal":{"name":"IASPM Journal","volume":"49 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Illegible Representations, Collaborative Protests\",\"authors\":\"Grace shinhae Jun, Anthony Blacksher\",\"doi\":\"10.5429/2079-3871(2023)v13i2.3en\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, members of COLLECTIVE reflect on the show Illegible and the specific performance for Mr. Olango’s family. Using an auto-ethnographic approach, this paper explores the role of artists in transforming critical scholarship and social protests into social justice advocacy, particularly around issues of representation, inequality, systemic racism, and police violence as experienced by Black men. In exploring the creative processes and impact of this performance, Illegible offers lyrics, movement, and music as representative of distinct and collaborative protests against anti-Black racism.\",\"PeriodicalId\":36498,\"journal\":{\"name\":\"IASPM Journal\",\"volume\":\"49 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IASPM Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5429/2079-3871(2023)v13i2.3en\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IASPM Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5429/2079-3871(2023)v13i2.3en","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
In this paper, members of COLLECTIVE reflect on the show Illegible and the specific performance for Mr. Olango’s family. Using an auto-ethnographic approach, this paper explores the role of artists in transforming critical scholarship and social protests into social justice advocacy, particularly around issues of representation, inequality, systemic racism, and police violence as experienced by Black men. In exploring the creative processes and impact of this performance, Illegible offers lyrics, movement, and music as representative of distinct and collaborative protests against anti-Black racism.
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