创意与教育

Q2 Arts and Humanities IASPM Journal Pub Date : 2023-07-28 DOI:10.5429/2079-3871(2023)v13i1.9en
Paul Thompson, Phil Harding
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引用次数: 0

摘要

正规的流行音乐教育(PME)面临着许多挑战;尤其是如何让学习者充分参与到有助于发展其技能和知识的创造性任务中,同时为他们在 "他们希望从事的行业中不断变化的动态"(McIntyre et al, 2016, p.2)中就业做好准备:他们希望从事的行业动态不断变化"(McIntyre et al, 2016, p.2)。 以下研究借鉴了在基于实践的探究(PBE)过程中收集的数据,并通过一位经验丰富的流行音乐制作人以研究者和 "ETL"(电子教学法)的身份应用流行音乐、创意和商业的 "服务模式",探讨了流行音乐歌曲创作和制作教学的具体情况。 重要的是,它说明了如何让学习者参与到行业式的创意任务中,并展示了团队领导者的角色如何在整个过程中帮助学生获得参与该领域社会互动的重要机会。
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Creativity and Education
Formal popular music education (PME) faces a number of challenges; not least how to sufficiently engage learners in creative tasks that help to develop their skills and knowledge, whilst at the same time preparing them for employment in the: ‘ever-changing dynamic of the industries they hope to work in’ (McIntyre et al, 2016, p. 2). The following study draws upon data gathered during a Practice Based Enquiry (PBE) and the specific context of teaching pop music songwriting and production is explored through the application of the ‘Service Model’ for Pop Music, Creativity and Commerce by an experienced pop music producer undertaking the role of researcher and ‘ETL’ (ETL).  Importantly, it it illustrates how to engage learners within an industry-style creative task and shows how the team leader’s role can help to give students important access to the social interactions of the field throughout the process.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
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