"成为信号

Q2 Arts and Humanities IASPM Journal Pub Date : 2023-07-28 DOI:10.5429/2079-3871(2023)v13i1.5en
Dr Brendan Anthony, Henry Cook, Brett Voss
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引用次数: 0

摘要

几十年来,流行音乐教学法一直在向学生传授音乐制作的基本技能。然而,专业从业人员的机构表明,音乐制作人还利用沟通和心理学方面的隐性技能来装饰音乐作品,以达到审美目的。这些软技能在年轻人身上的培养需要时间,因此该领域的教学法必须在学生接受高等教育之初就瞄准这一点。该领域的教学方法非常复杂,以往的研究工作强调了综合正规和实践主导的合作教育方法的有用性。本研究通过调查翻转教育框架中使用的教学视频资源的效用,进一步发展了这一论述。随后对 MPP 1 课程的案例研究发现,学生们非常重视这种方法,并强调视频的长度、可访问性和教育者体现出的实践者特质是他们学习更全面的流行音乐制作方法所不可或缺的。
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“Be the Signal”
Popular music pedagogy has for decades educated students in the foundational skills of music production. Yet the agency of professional practitioners illuminates that music producers also utilise tacit skills in communication and psychology to garnish musical works that target aesthetic intentions. These soft skills take time to develop in young people and so pedagogy in this field must target this at the beginning of a student’s higher education journey. Pedagogy in this field is complex and previous research efforts have highlighted the usefulness of integrated formal and practice-led collaborative educational approaches. This study develops this discourse further by investigating the utility of pedagogical video resources used in a flipped educational framework. The subsequent case study of the course MPP 1 found that students valued this approach and highlighted video length, accessibility and the educator’s embodiment of practitioner traits as integral to their learning more holistic approaches to popular music production.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊最新文献
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