{"title":"对奇努瓦-阿契贝《分崩离析》和《大草原上的蚁丘》中女性角色变化的女性主义分析","authors":"Durgesh Ravande, Prashant Takey","doi":"10.56062/gtrs.2023.2.04.340","DOIUrl":null,"url":null,"abstract":"Chinua Achebe is one of the pioneering figures of African Fiction. In his several critical essays and interviews Achebe has discussed the role of an author belonging to a postcolonial country, and declared that he writes his fiction with a definite role. He has penned five novels including his masterpiece Things Fall Apart (1958) in which Achebe, with his realism, has taken up the task of telling his people the greatness and weaknesses of their Ibo culture. Here, the object of his criticism is the colonizer British exercising power under the guise of a civilizing mission. On the other hand, in one of his most discussed novels Anthills of the Savannah (1987) he takes the role of a conscience builder in a new nation engulfed in cutthroat power politics; and the object of his criticism shifts to his own people, the corrupt educated elite and military officials who have failed to contribute in nation building. However, the role of women in Nigerian society is also one of the prominent issues depicted significantly in both these celebrated novels. The paper focuses on a feminist analysis of these novels with the aim to find out the changing roles of women in Nigerian society depicted in these novels. It takes recourse to the method of explication and close reading of these primary texts and the secondary data in the light of Feminist Criticism.","PeriodicalId":125811,"journal":{"name":"Creative Saplings","volume":"34 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Feminist Analysis of the Changing Roles of Women in Chinua Achebe’s Things Fall Apart and Anthills of the Savannah\",\"authors\":\"Durgesh Ravande, Prashant Takey\",\"doi\":\"10.56062/gtrs.2023.2.04.340\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chinua Achebe is one of the pioneering figures of African Fiction. In his several critical essays and interviews Achebe has discussed the role of an author belonging to a postcolonial country, and declared that he writes his fiction with a definite role. He has penned five novels including his masterpiece Things Fall Apart (1958) in which Achebe, with his realism, has taken up the task of telling his people the greatness and weaknesses of their Ibo culture. Here, the object of his criticism is the colonizer British exercising power under the guise of a civilizing mission. On the other hand, in one of his most discussed novels Anthills of the Savannah (1987) he takes the role of a conscience builder in a new nation engulfed in cutthroat power politics; and the object of his criticism shifts to his own people, the corrupt educated elite and military officials who have failed to contribute in nation building. However, the role of women in Nigerian society is also one of the prominent issues depicted significantly in both these celebrated novels. The paper focuses on a feminist analysis of these novels with the aim to find out the changing roles of women in Nigerian society depicted in these novels. It takes recourse to the method of explication and close reading of these primary texts and the secondary data in the light of Feminist Criticism.\",\"PeriodicalId\":125811,\"journal\":{\"name\":\"Creative Saplings\",\"volume\":\"34 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creative Saplings\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56062/gtrs.2023.2.04.340\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creative Saplings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56062/gtrs.2023.2.04.340","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Chinua Achebe 是非洲小说的先驱人物之一。在多篇评论文章和访谈中,阿契贝讨论了属于后殖民国家的作家的角色,并宣称他的小说创作具有明确的角色定位。他共创作了五部小说,其中包括代表作《分崩离析》(Things Fall Apart,1958 年),在这部小说中,阿切贝以现实主义的手法,向他的人民讲述了伊博文化的伟大和弱点。在这里,他批判的对象是以文明使命为幌子行使权力的殖民者英国。另一方面,在他最受关注的小说之一《大草原上的蚁丘》(Anthills of the Savannah,1987 年)中,他扮演了一个新国家良知建设者的角色,而这个国家正陷入残酷的强权政治之中;他批评的对象转向了自己的人民,腐败的教育精英和未能为国家建设做出贡献的军官。然而,妇女在尼日利亚社会中的角色也是这两部著名小说中着重描写的突出问题之一。本文重点对这些小说进行了女性主义分析,旨在找出这些小说中描写的尼日利亚社会中女性角色的变化。论文采用了阐释和细读的方法,并根据女权主义批评对这些主要文本和二手资料进行了分析。
A Feminist Analysis of the Changing Roles of Women in Chinua Achebe’s Things Fall Apart and Anthills of the Savannah
Chinua Achebe is one of the pioneering figures of African Fiction. In his several critical essays and interviews Achebe has discussed the role of an author belonging to a postcolonial country, and declared that he writes his fiction with a definite role. He has penned five novels including his masterpiece Things Fall Apart (1958) in which Achebe, with his realism, has taken up the task of telling his people the greatness and weaknesses of their Ibo culture. Here, the object of his criticism is the colonizer British exercising power under the guise of a civilizing mission. On the other hand, in one of his most discussed novels Anthills of the Savannah (1987) he takes the role of a conscience builder in a new nation engulfed in cutthroat power politics; and the object of his criticism shifts to his own people, the corrupt educated elite and military officials who have failed to contribute in nation building. However, the role of women in Nigerian society is also one of the prominent issues depicted significantly in both these celebrated novels. The paper focuses on a feminist analysis of these novels with the aim to find out the changing roles of women in Nigerian society depicted in these novels. It takes recourse to the method of explication and close reading of these primary texts and the secondary data in the light of Feminist Criticism.