ASOMROF:受当地民族历史启发的科技艺术作品科幻内容跨媒体项目

Yen-Jung Chang, Hsin-Chien Huang, Yuting Hsueh
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摘要

该交流描述了科幻内容的演变和跨媒体,其灵感来自 17 世纪从中国大陆来到台湾的早期客家人的移民和垦荒历史,用于科技艺术作品,包括实时结合虚拟和现实舞者的舞蹈表演,以及增强现实展览。为了尽早确定合作,该项目被设定为与客家文化相关。客家人是继汉族另一大族群福建人之后,于 17 世纪前后抵达台湾的两大汉族移民族群之一。客家人的移民和垦荒历史,以及客家人、福建人和台湾原住民之间的冲突,被认为足够引人入胜,可以改编成科幻小说的情节,并考虑到未来人类星际移民抵达一个新的遥远星球时,情况会多么相似,这也是客家人的一个隐喻。新移民、以前的定居者和原住民之间的冲突与合作的故事,可能与东亚族群的集体记忆相呼应。此外,科幻情节在科学知识的基础上,以文字和图形的形式扩展和改编成小说和漫画,符合当前娱乐业的跨媒体趋势。
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ASOMROF: A Transmedia Project of Sci-Fi Content Inspied by the Local Ethnic History for Technology Art Works
This communication depicts the evolution and transmedia of science fiction content inspired by the immigration and land reclamation history of early Hakka people who arrived in Taiwan from China in the 17th century for technology art works, including a dancing performance that combines virtual and real dancers in real-time, as well as an augmented reality exhibition. For early determined cooperation, the project was set to be related to Hakka culture. The Hakka are one of two major ethnic groups of Han Chinese immigrants who arrived in Taiwan around the 17th century, after the Hokkien, the other major ethnic group of Han Chinese. The history of Hakka immigration and reclamation, as well as the conflict between Hakka, Hokkien, and indigenous people in Taiwan, were found to be intriguing enough to be adapted into a science fiction scenario, with the consideration of how similar the situation will be in the future when human interplanetary immigrants arrive on a new distant planet, a metaphor for the Hakka people. The story of conflict and cooperation between new immigrants, previous settlers, and original inhabitants possibly echo the collective memory of ethnic groups in eastern Asia. Furthermore, the sci-fi scenarios are expanded and adapted as a novel and manga in text and graphic form based on scientific knowledge, in keeping with the current transmedia trend in the entertainment industry.
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