{"title":"\"我什么也教不了他好烧和最佳读物","authors":"Jason Holt","doi":"10.1017/s0012217324000015","DOIUrl":null,"url":null,"abstract":"\n Steven Burns argues that rich works of art tend to yield best readings rather than ambiguous interpretations. This is no mere statistical claim. Rather, Burns holds that such richness makes ambiguity less likely or sustainable. As a champion of multiple interpretability, I criticize Burns’s account. Adding detail to an ambiguous work may not disambiguate it and may in fact increase the range of equally rewarding interpretations. Ambiguous works are furthermore numerous and noteworthy, and range across various artforms. All else being equal, ambiguity appears to add to rather than detract from the richness of artworks.","PeriodicalId":11232,"journal":{"name":"Dialogue","volume":"7 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Nothing I Could Teach Him”: Good Burns and Best Readings\",\"authors\":\"Jason Holt\",\"doi\":\"10.1017/s0012217324000015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Steven Burns argues that rich works of art tend to yield best readings rather than ambiguous interpretations. This is no mere statistical claim. Rather, Burns holds that such richness makes ambiguity less likely or sustainable. As a champion of multiple interpretability, I criticize Burns’s account. Adding detail to an ambiguous work may not disambiguate it and may in fact increase the range of equally rewarding interpretations. Ambiguous works are furthermore numerous and noteworthy, and range across various artforms. All else being equal, ambiguity appears to add to rather than detract from the richness of artworks.\",\"PeriodicalId\":11232,\"journal\":{\"name\":\"Dialogue\",\"volume\":\"7 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dialogue\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0012217324000015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dialogue","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0012217324000015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
“Nothing I Could Teach Him”: Good Burns and Best Readings
Steven Burns argues that rich works of art tend to yield best readings rather than ambiguous interpretations. This is no mere statistical claim. Rather, Burns holds that such richness makes ambiguity less likely or sustainable. As a champion of multiple interpretability, I criticize Burns’s account. Adding detail to an ambiguous work may not disambiguate it and may in fact increase the range of equally rewarding interpretations. Ambiguous works are furthermore numerous and noteworthy, and range across various artforms. All else being equal, ambiguity appears to add to rather than detract from the richness of artworks.
期刊介绍:
Dialogue is the official journal of the Canadian Philosophical Association. Its purpose is to publish high quality peer-reviewed scholarly articles, book symposia, critical notices, and book reviews in English and in French, in support of the Association"s mandate to promote philosophical scholarship and education. It is open to contributions in all branches of philosophy and from any philosophical perspective. Readers include professional teachers of philosophy, graduate students, and others with an interest in the field. Published for the Canadian Philosophical Association