从后人类女性主义视角看《白衣女子》中对女性施加的认识暴力和物质暴力

Mahinur Gözde Kasurka
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摘要

威尔基-柯林斯(Wilkie Collins)的小说《白衣女人》(1860 年)可以被视为父权制支配性化他人话语的体现。在文本中,与男性相比,女性处于 "低于 "的地位,因此她们沦为后人道主义批评家罗西-布赖多蒂(Rosi Braidotti)意义上的一次性躯体。男性角色作为人类的普遍代表,却无法包容女性角色。因此,文本中安妮的囚禁和劳拉的强迫婚姻展示了对被剥夺政治代表地位的人施加的认识暴力和物质暴力的运作机制,剥夺了她们的代理潜能。基于这些考虑,本文旨在通过强调例外主义政治是父权逻辑的巩固,在后人道主义的女性主义维度背景下,寻找小说中的男性和女性人物是否具有同等程度的人性的答案。推而广之,本研究建议揭开等级制二元思维对女性的排斥大于包容的神秘面纱。文章还探讨了基于自我与他人的非辩证关系的妇女团结纽带是否可以通过灌输后人道主义的女权主义取向来提供解决方案。
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The Epistemic and Material Violence Exerted Against Women in The Woman in White from a Posthuman Feminist Perspective
Wilkie Collins’s novel The Woman in White (1860) can be taken as an embodiment of patriarchal dominion over-sexualized others of the discourse. In line with women’s holding a “less than” status when compared to men in the text, they are reduced to disposable bodies in posthumanist critic Rosi Braidotti’s sense of the term. The male characters’ representation as the universal representative of the human falls short in embracing the female characters. Hence, Anne’s imprisonment and Laura’s forced marriage in the text demonstrate the working mechanism of epistemic and material violence exerted against the ones who are deprived of the politically representable status by stripping them off their agentic potentialities. In tune with these considerations, this paper aims to find an answer if male and female characters in the novel are human to the same degree against the backdrop of feminist dimensions of posthumanism by highlighting exceptionalist politics as a consolidation of patriarchal logic. By extension, this study proposes to demystify how hierarchical binary thinking excludes more than what it includes in relation to woman. The article also interrogates if a bond of solidarity among women based on nondialectical relations of the self to the other might offer a solution by instilling feminist orientations of posthumanism.
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Wilkie Collins in Context, ed. by William Baker and Richard Nemesvari Wilkie Collins: The Complete Fiction, by Stephen Knight We Are All Monsters: How Deviant Organisms Came to Define Us, by Andrew Mangham The Epistemic and Material Violence Exerted Against Women in The Woman in White from a Posthuman Feminist Perspective Ocular Poetics of Wilkie Collins’s The Woman in White
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