{"title":"民主专制主义、民主文化和民主理想","authors":"Robert Gooding-Williams","doi":"10.1093/monist/onad026","DOIUrl":null,"url":null,"abstract":"\n In this paper, I outline Du Bois’s WWI-era theory of democracy, which comprises three parts: first, an historically specific explanation of the racially exclusionist character of the modern struggle for democracy; second, a justification of universal suffrage; and third, an account of democratic culture, the promotion of which he believed was necessary to supplement the enfranchisement of black people where white supremacy still threated the achievement of justice.","PeriodicalId":516548,"journal":{"name":"The Monist","volume":"7 6","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Democratic Despotism, Democratic Culture, and the Democratic Ideal\",\"authors\":\"Robert Gooding-Williams\",\"doi\":\"10.1093/monist/onad026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In this paper, I outline Du Bois’s WWI-era theory of democracy, which comprises three parts: first, an historically specific explanation of the racially exclusionist character of the modern struggle for democracy; second, a justification of universal suffrage; and third, an account of democratic culture, the promotion of which he believed was necessary to supplement the enfranchisement of black people where white supremacy still threated the achievement of justice.\",\"PeriodicalId\":516548,\"journal\":{\"name\":\"The Monist\",\"volume\":\"7 6\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Monist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/monist/onad026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Monist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/monist/onad026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Democratic Despotism, Democratic Culture, and the Democratic Ideal
In this paper, I outline Du Bois’s WWI-era theory of democracy, which comprises three parts: first, an historically specific explanation of the racially exclusionist character of the modern struggle for democracy; second, a justification of universal suffrage; and third, an account of democratic culture, the promotion of which he believed was necessary to supplement the enfranchisement of black people where white supremacy still threated the achievement of justice.