走向负责任的艺术机构:大众媒体中对肥胖群体的用心表现

Cheryl Frazier
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引用次数: 0

摘要

当流行媒体对胖子进行描述时,我们往往认为他们的行为代表了所有胖子。一个胖子的行为代表了所有胖子都会有的更广泛的行为模式,从而塑造了我们理解 "胖 "的方式。这种以偏概全的方式将肥胖表现为一种单一的经历,将胖子简化为一种单一的叙述,往往会强化反胖偏见。我们如何避免这种简化?我们怎样才能负责任地描绘胖人角色,同时又不延续对真实胖子的负面刻板印象?以《复仇者联盟》中的 "胖雷神 "为例:通过《复仇者联盟:终结者》中 "胖雷神 "的案例,我提出了一个负责任的艺术机构的开端,该机构可用于改善艺术作品中对边缘化群体的描绘,尤其是对胖子群体的描绘。这一论述的核心有两个特点:在整个制作过程中纳入并尊重来自不同背景的被描绘族群成员,以及注意围绕被描绘族群构建的已有叙事网络。我将通过这一讨论来强调,我们需要彻底改变在艺术中考虑边缘化人群的方式--重新想象由谁来讲述他们的故事,以及代表他们讲述什么样的故事。
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Toward a Responsible Artistic Agency: Mindful Representation of Fat Communities in Popular Media
When fat people are depicted in popular media, we often take their behavior to be representative of all fat people. How one fat person acts becomes representative of a broader pattern of behavior that all fat people are presumed to share, shaping the way we understand fatness. This way of generalizing presents fatness as a singular experience, reducing fat people to a monolithic narrative that often reinforces anti-fat bias. How do we avoid this reduction? How can we responsibly depict fat characters without perpetuating negative stereotypes about real fat people? Using the case of “Fat Thor” from Avengers: Endgame, I propose the beginnings of an account of responsible artistic agency which can be used to improve the ways that marginalized communities are depicted in art, with a particular focus on fat communities. Central to this account are two features: inclusion of and deference to members of the communities depicted from a variety of backgrounds throughout the production process, and mindfulness of the preexisting narrative web built around the communities depicted. I will use this discussion to highlight the need for a drastic shift in how we consider marginalized populations in art—in reimagining both who tells their stories, and what stories are told on their behalf.
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