可分性理论

Iris Spoor
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摘要

数十年来,美学界一直在争论审美属性的形而上学地位。在任何关于审美属性的讨论中,一个始终存在的问题是,审美属性在本质上是评价性的还是描述性的。审美属性通常被视为与道德属性平行,这意味着许多哲学家想当然地认为审美属性从根本上说是评价性的。但也有一些哲学家,如弗兰克-西伯利(Frank Sibley)和杰罗德-莱文森(Jerrold Levinson),则选择了一条少有人走的路,将审美属性主要视为描述性的。在本文中,我将概述莱文森的一个有趣观点,即审美属性的评价性方面可以被取消,只留下该属性的描述性本质。我将此称为可分性论题。它认为,对审美属性的评价性反应可以从审美体验的客观感知内容中分离出来,从而为我们留下该属性的非评价性核心。接下来,我将从拉斐尔-德-克莱克(Rafael De Clercq)提出的一个强有力的挑战中为可分性论题辩护。最后,我认为,尽管德-克莱克的论证既巧妙又富有洞察力,但它未能破坏可分性论题。
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The Separability Thesis
Debates over the metaphysical status of aesthetic properties have persisted for decades in Aesthetics. One question that consistently arises in any discussion of aesthetic properties is whether they are fundamentally evaluative or descriptive in character. Aesthetic properties are often treated as parallel to moral properties which means many philosophers take it for granted that aesthetic properties are fundamentally evaluative. There are some philosophers, like Frank Sibley and Jerrold Levinson, who take the road less traveled and treat aesthetic properties as primarily descriptive in character. In this paper, I outline Levinson’s intriguing view that the evaluative aspect of an aesthetic property can be canceled leaving us with the descriptive essence of the property. I refer to this as the separability thesis. It contends that evaluative reactions to aesthetic properties can be separated from the objective, perceptual content of an aesthetic experience thereby leaving us with the non-evaluative core of the property. I go on to defend the separability thesis from a powerful challenge developed by Rafael De Clercq. Ultimately, I contend that while De Clercq’s argument is clever and insightful it fails to undermine the separability thesis.
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