Tony H. Grubesic , Edward Helderop , Bhajleen Kaur
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引用次数: 0
摘要
游艇摇滚乐是 20 世纪 70 年代末和 80 年代初兴起的一种音乐流派,目前正在美国及其他地区重新流行起来。除了使用正式的社会网络分析来探索游艇摇滚乐合作音乐网络的发展和转变之外,我们还确定了其最具影响力的艺术家和音乐家,并强调了该时代最关键的歌曲--通过历史和档案方法增加了背景。研究结果表明,以洛杉矶为基地的录音室音乐家核心团队在帮助游艇摇滚乐队发展的过程中发挥了至关重要的作用。这些音乐人才和洛杉矶的 "硬 "基础设施(如录音室、音乐标签)帮助游艇摇滚乐走向大众。然而,这场运动的成功很大程度上源于该地区的 "软 "基础设施(如管理、行业关系)以及 Toto 和 Steely Dan 等乐队的网络效应。
A deep dive into the collaborative networks of Yacht Rock
This paper explores the collaborative networks of Yacht Rock, a genre of music that emerged in the late 1970s and early 1980s and is currently experiencing a resurgence of popularity in the United States and beyond. In addition to using formal social network analysis to explore the development and transformation of Yacht Rock's collaborative musical network through time, we identify its most influential artists and musicians and highlight the most pivotal songs of the era – adding context with historical and archival approaches. The results indicate that a core group of studio musicians based in Los Angeles played an essential role in helping develop Yacht Rock. This reservoir of musical talent and the supporting "hard" infrastructure (e.g., recording studios, music labels) in Los Angeles helped bring Yacht Rock to the masses. However, much of this movement's success has roots in the "soft" infrastructure of the region (e.g., management, industry connections) and the network effects of bands like Toto and Steely Dan.
期刊介绍:
Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.