团结与痛苦美学:苏联纪录片与越南战争

IF 0.8 2区 历史学 Q1 HISTORY International Review of Social History Pub Date : 2024-02-26 DOI:10.1017/s0020859024000051
Kristin Roth-Ey
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引用次数: 0

摘要

20 世纪 60 年代末和 70 年代初,苏联在越南战争中支持越南民主共和国的运动充斥着苏联的公共文化。这是苏联历史上持续时间最长的声援行动,也是首次向大众电视观众传播的声援行动。康斯坦丁-西蒙诺夫(Konstantin Simonov)是一位名作家,二战期间在苏联文化中发挥了至关重要的作用,战后又在努力接受斯大林主义的可怕真相以及战争造成的混乱和创伤的过程中发挥了重要作用。西蒙诺夫的影片以抒情而非分析的方式展现了越南战争,呼吁观众将越南人的苦难与苏联的战时经历联系起来,并在情感上与越南人休戚与共。影片提出了对痛苦的声援,以及对战争和战时苦难的理解,认为战争和战时苦难是不可抗拒的。在写给西蒙诺夫的几十封信件中,我们发现了对这一观点的理解和赞赏,它使越南不再是一个国家,而是将观众送回了苏联历史和创伤的旅程。
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Solidarity and the Aesthetics of Pain: Soviet Documentary Film and the Vietnam War

The Soviet campaign in support of the Democratic Republic of Vietnam in the Vietnam War saturated Soviet public culture in the late 1960s and early 1970s. It was the longest solidarity action in Soviet history and the first to reach mass television audiences. This article examines the production and reception of a televised documentary film about the Vietnam War made by Konstantin Simonov – a celebrity writer who played a crucial role in Soviet culture during World War II, and then, in the post-war period, in the struggle to come to terms with terrible truths about Stalinism and the chaos and trauma that war had rendered. Simonov's film presented the Vietnam War in lyrical rather than analytical terms, calling upon viewers to draw connections between the suffering of the Vietnamese and the Soviet wartime experience and to enact their solidarity with the Vietnamese in terms of feeling. The film proposes a solidarity of pain and an understanding of war and wartime suffering as elemental and overwhelming. In dozens of letters to Simonov, we find an understanding and appreciation of this vision, which decentres Vietnam and instead sends viewers on a journey back to Soviet history and trauma.

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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
68
期刊介绍: International Review of Social History, is one of the leading journals in its field. Truly global in its scope, it focuses on research in social and labour history from a comparative and transnational perspective, both in the modern and in the early modern period, and across periods. The journal combines quality, depth and originality of its articles with an open eye for theoretical innovation and new insights and methods from within its field and from contiguous disciplines. Besides research articles, it features surveys of new themes and subject fields, a suggestions and debates section, review essays and book reviews. It is esteemed for its annotated bibliography of social history titles, and also publishes an annual supplement of specially commissioned essays on a current theme.
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