{"title":"挣钱者和花钱者,丈夫和妻子:冷战时期美国情景喜剧中对妇女劳动的情感约束","authors":"Emily Naser-Hall","doi":"10.1080/17400309.2023.2299199","DOIUrl":null,"url":null,"abstract":"The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"14 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms\",\"authors\":\"Emily Naser-Hall\",\"doi\":\"10.1080/17400309.2023.2299199\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...\",\"PeriodicalId\":43549,\"journal\":{\"name\":\"New Review of Film and Television Studies\",\"volume\":\"14 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-02-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Review of Film and Television Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17400309.2023.2299199\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Review of Film and Television Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17400309.2023.2299199","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms
The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...