参与式艺术与地理学:政治、公众和空间

IF 6.3 1区 社会学 Q1 GEOGRAPHY Progress in Human Geography Pub Date : 2024-02-27 DOI:10.1177/03091325231219698
Danny McNally
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引用次数: 0

摘要

本文认为,参与式艺术是一种独特的实践,但对人文地理学在艺术和美学方面的当代工作而言,这种实践尚未得到充分探索。本文认为,参与式艺术需要人文地理学的概念性、批判性和跨学科基础,以推进参与式艺术实践与理论、美学和地理学之间不断扩大的关系。论文通过三个分析主题--政治、公共和空间--论证了一种跨学科的参与式艺术方法,这种方法横跨艺术理论、参与式实践和地理学。本文最后围绕地理学是否适合批判性地探讨参与式艺术所创造的伦理和美学关系进行了总结。
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Participatory art and geography: Politics, publics, and space
This paper posits participatory art as a distinct but underexplored practice of interest for human geography’s contemporary work on art and aesthetics. It suggests that participatory art needs a conceptual, critical, and interdisciplinary grounding in human geography to advance the expanding relationship between participatory art practice and theory, aesthetics, and geography. Through three analytical themes – politics, publics, and space – the paper argues for an interdisciplinary approach to participatory art that draws across art theory, participatory praxis, and geography. The paper concludes around geography’s suitability to critically explore the ethical and aesthetic relations created by participatory art.
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来源期刊
CiteScore
16.40
自引率
7.00%
发文量
56
期刊介绍: Progress in Human Geography is the peer-review journal of choice for those wanting to know about the state of the art in all areas of research in the field of human geography - philosophical, theoretical, thematic, methodological or empirical. Concerned primarily with critical reviews of current research, PiHG enables a space for debate about questions, concepts and findings of formative influence in human geography.
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