{"title":"女性主义对 \"黑色家庭 \"中强制控制的描述：伊莎-埃文斯的《破碎》（2007）和凯瑟琳-海曼的《风暴与恩典》（2017）","authors":"Josephine Browne","doi":"10.1080/09574042.2024.2316992","DOIUrl":null,"url":null,"abstract":"Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled ‘domestic noir’. Adding to earli...","PeriodicalId":54053,"journal":{"name":"Women-A Cultural Review","volume":"279 1","pages":""},"PeriodicalIF":2.0000,"publicationDate":"2024-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Feminist Depictions of Coercive Control in ‘Domestic Noir’: Ilsa Evans’s Broken (2007) and Kathryn Heyman’s Storm and Grace (2017)\",\"authors\":\"Josephine Browne\",\"doi\":\"10.1080/09574042.2024.2316992\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled ‘domestic noir’. Adding to earli...\",\"PeriodicalId\":54053,\"journal\":{\"name\":\"Women-A Cultural Review\",\"volume\":\"279 1\",\"pages\":\"\"},\"PeriodicalIF\":2.0000,\"publicationDate\":\"2024-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women-A Cultural Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09574042.2024.2316992\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women-A Cultural Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09574042.2024.2316992","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Feminist Depictions of Coercive Control in ‘Domestic Noir’: Ilsa Evans’s Broken (2007) and Kathryn Heyman’s Storm and Grace (2017)
Concurrent with increasing social and legal discussions of coercive control, literary scholars are turning their attention to analyses of an emergent genre labelled ‘domestic noir’. Adding to earli...
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