黑人为王":碧昂斯使用 AAVE 中的语言与身份认同

A. Lessa, L. Costa
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摘要

本文旨在通过分析碧昂丝不同时期的歌词,了解黑人女性的语言与话语身份之间的相关性。本文的具体目标是研究歌手歌词在不同音乐领域中标准英语(SE)和非裔美国人方言英语(AAVE)之间的语码转换现象。因此,我们分析了五种非裔美国人方言英语句法结构在不同音乐流派--嘻哈和说唱--中的出现频率,以及她职业生涯的不同阶段。结果表明,尽管这位歌手在歌曲创作中继续使用代码转换,但 SE 形式的使用总体上有所减少,而 AAVE 形式的使用有所增加。这代表了碧昂斯在语言使用上的转变,表明了语言选择与黑人女性话语身份之间的相关性。
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“Black is king”: lenguaje e identidad en el uso de AAVE por Beyoncé
This paper aims to understand the correlation between language and discourse identity for Black women through an analysis of Beyoncé’s lyrics across time. Its specific goal is to investigate the occurrence of code-switching between Standard English (SE) and African American Vernacular English (AAVE) in the singer's lyrics within different music domains. So, we analyzed the frequency of five AAVE syntactic structures in different music genres - hip hop and rap - in distinct phases of her career. The results show an overall decrease of SE forms and an increase in the use of AAVE forms, though the singer continues to practice code-switching in her songwriting. This represents a transition in Beyoncé's language use, indicating a correlation between language choice and Black Women discourse identity.
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