{"title":"COVID-19、缓慢移动的启示录和《黑道家族》：研究新的解释背景","authors":"Alexander Hudson Beare","doi":"10.1080/15295036.2024.2314663","DOIUrl":null,"url":null,"abstract":"In 2020, 21 years after its original release, The Sopranos (1999–2007) experienced an unexpected surge in popularity online. Outlets like The Guardian and GQ were quick to label it as “the hottest ...","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2024-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"COVID-19, the slow-moving apocalypse, and The Sopranos: investigating new interpretive contexts\",\"authors\":\"Alexander Hudson Beare\",\"doi\":\"10.1080/15295036.2024.2314663\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2020, 21 years after its original release, The Sopranos (1999–2007) experienced an unexpected surge in popularity online. Outlets like The Guardian and GQ were quick to label it as “the hottest ...\",\"PeriodicalId\":47123,\"journal\":{\"name\":\"Critical Studies in Media Communication\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2024-03-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Media Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/15295036.2024.2314663\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Media Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/15295036.2024.2314663","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
COVID-19, the slow-moving apocalypse, and The Sopranos: investigating new interpretive contexts
In 2020, 21 years after its original release, The Sopranos (1999–2007) experienced an unexpected surge in popularity online. Outlets like The Guardian and GQ were quick to label it as “the hottest ...
期刊介绍：
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.
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