接受约瑟夫《teknophagia》故事时的叙述性和文学性

IF 0.3 3区 社会学 0 CLASSICS Classical Receptions Journal Pub Date : 2024-03-14 DOI:10.1093/crj/clae002
Yonatan Binyam
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引用次数: 0

摘要

在本文中,我分析了源自约瑟夫斯的《犹太法典》的 teknophagia 故事中的叙事话语和文学元素,并追溯了这些主题在后来的拉丁语、希伯来语、阿拉伯语和埃塞俄比亚语版本中的发展。我首先通过希伯来文《Sefer Yosippon》及其拉丁文来源之一《De Excidio Hierosolymitano》概述了约瑟夫斯在中世纪科普特和埃塞俄比亚文学传统中的接受史。然后,我说明了改编 teknophagia 故事的不同作者的文学性是如何影响对每个文本叙事话语的解读的。在此过程中,我强调了在基督教-阿拉伯语和埃塞俄比亚历史中出现的关于食人母亲的独特迭代,展示了这一版本的故事是如何不仅从早期的文体变化中发展而来,而且还从阿拉伯语对希伯来语 Yosippon 的改编者在故事中引入的文学元素中发展而来。
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Narrativity and literariness in receptions of Josephus’s teknophagia story
In this article, I present an analysis of the narrative discourses and literary elements found in the teknophagia story that originates with Josephus’s Bellum Judaicum and trace the development of those motifs in subsequent Latin, Hebrew, Arabic, and Ethiopic versions of the story. I first outline the reception history of Josephus within medieval Coptic and Ethiopic literary traditions, by way of the Hebrew Sefer Yosippon and one of its Latin sources, the De Excidio Hierosolymitano. I then illustrate how the literariness of the various authors who reworked the teknophagia story influences a reading of the narrative discourses of each text. In doing so, I emphasize the unique iteration of the account of the cannibalistic mother that appears in the Christian-Arabic and Ethiopic histories, showing how this version of the story develops out of not only earlier stylistic changes, but also from the literary elements introduced into the story by the redactor of the Arabic reworking of the Hebrew Yosippon.
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