失重基础设施

IF 0.2 3区 艺术学 0 MUSIC Organised Sound Pub Date : 2024-03-15 DOI:10.1017/s135577182300064x
Kristoffer Raasted
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引用次数: 0

摘要

作为一种艺术媒介,电波不是中立的,也不是非物质的。广播的决定与激活电子电路的决定相关联。广播既有宣传潜力,也有颠覆潜力。但是,即使是最具实验性的广播或网络广播也依赖于电子或数字技术。因此,负责任的广播制作不能回避这方面的自我批判和政治定位。依靠耗能技术系统进行传播对广播艺术有什么政治影响?这个问题要求我们从理论上将播客作为一种短暂而亲切的媒介这一观点细化。本文提出了 "失重基础设施 "一词,将卫星重新视为大气层中自由漂浮和自由下落的技术基础设施。这一概念是以下术语的缩写和互换使用:失重技术、失重硬件和自由浮动基础设施。
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Weightless Infrastructures
Considered as an artistic medium, airwaves are not neutral, nor are they immaterial. The decision to broadcast is linked to the decision to activate electronic circuits. Radio holds both propagandistic and subversive potentials. But even the most experimental broad- or webcasts rely on electronic or digital technologies. Thus, responsible radio productions cannot shy away from a self-critical, and political positioning in this regard. What political implications does it have for radio art that transmission rests on a system of energy-consuming technologies? This question calls for a theorization that nuances the idea of podcasting as an ephemeral and intimate medium. This article proposes the term weightless infrastructures in rethinking satellites as atmospheric, free-floating and free-falling technological infrastructures. This notion is abbreviated and used interchangeably with the following terms: weightless technology, weightless hardware and free-floating infrastructure.
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
期刊最新文献
‘To Explore the World of Sound’: Music, silence and nation-building in Bing Bang Boom (1969) Dissident Sounds: Electronic music in Venezuela from the notions of radical education Radioatelier: Czech radio space for acoustic art 2003–2022 An Art of the Radio: Musique concrète and mass culture, 1941–1952 Weightless Infrastructures
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