好、坏与叙事:青少年如何体验说唱音乐中的 "痞子 "形象

Bernd Dollinger
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引用次数: 0

摘要

说唱是一种充满活力、在国际上取得成功的音乐流派,但也是一种广受质疑的音乐流派。本文首先关注年轻说唱乐迷的看法,并询问他们对说唱乐所赋予的黑帮犯罪的具体含义。分析的实证基础是一项针对德国年轻说唱迷的人种学研究。结果表明,说唱歌手作为黑帮分子对年轻人具有很高的认同潜力,但并非在所有情况下都是如此。说唱歌手必须真实可信,并向年轻人展示摆脱不利和歧视性生活条件的可能性,必要时可以借助犯罪。为了在这方面显得可信,黑帮说唱歌手必须说唱实际犯罪,并传达年轻人所熟悉的经历。
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The Good, the Bad, and the Narrative: How Youth Experience the ‘Gangsta’ in Rap Music
Rap is a music genre that is as dynamic and internationally successful as it is extensively discredited. This contribution begins here by focusing on the perception of young rap fans and asking what meaning they attach to rap specifically with regard to the criminality of gangstas. The empirical basis for the analyses is an ethnographic study with young rap fans in Germany. The results show that rappers as gangstas have a high identification potential for the young people – but not in every case. Rappers have to be authentic and show the young people possibilities to find ways out of disadvantaged and discriminating living conditions, if necessary with the help of crime. To appear credible in this respect, gangstas must rap about actual crimes and communicate experiences with which the young people, for their part, are familiar.
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