{"title":"阿尔贝托-卡瓦尔坎蒂:《煤面》中的实验现实主义","authors":"Aline Freire de Carvalho Frey","doi":"10.32388/6eo680","DOIUrl":null,"url":null,"abstract":"The examination of Brazilian filmmaker Alberto Cavalcanti’s contribution to documentary history will be undertaken here through a close analysis of his early film \"Coal Face\" (1935), which depicts the lives of coal workers in England. This film will be juxtaposed with two other significant documentaries from the same period. The first is \"Industrial Britain\" (Robert Flaherty, 1931/1933), and the second is \"Housing Problems\" (Arthur Elton and Edgar Anstey, 1935). This article delves into a discussion that, despite being produced during the same period, these films exhibit notable disparities in their aesthetical approaches to portraying reality.\n","PeriodicalId":500839,"journal":{"name":"Qeios","volume":"12 18","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Alberto Cavalcanti: Experimental Realism in Coal Face\",\"authors\":\"Aline Freire de Carvalho Frey\",\"doi\":\"10.32388/6eo680\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The examination of Brazilian filmmaker Alberto Cavalcanti’s contribution to documentary history will be undertaken here through a close analysis of his early film \\\"Coal Face\\\" (1935), which depicts the lives of coal workers in England. This film will be juxtaposed with two other significant documentaries from the same period. The first is \\\"Industrial Britain\\\" (Robert Flaherty, 1931/1933), and the second is \\\"Housing Problems\\\" (Arthur Elton and Edgar Anstey, 1935). This article delves into a discussion that, despite being produced during the same period, these films exhibit notable disparities in their aesthetical approaches to portraying reality.\\n\",\"PeriodicalId\":500839,\"journal\":{\"name\":\"Qeios\",\"volume\":\"12 18\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Qeios\",\"FirstCategoryId\":\"0\",\"ListUrlMain\":\"https://doi.org/10.32388/6eo680\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Qeios","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.32388/6eo680","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这里将通过仔细分析巴西电影制作人阿尔贝托-卡瓦尔坎蒂早期拍摄的描述英国煤炭工人生活的影片《煤面》(1935 年),来研究他对纪录片史的贡献。这部影片将与同一时期的另外两部重要纪录片并列。第一部是《工业英国》(Robert Flaherty,1931/1933 年),第二部是《住房问题》(Arthur Elton 和 Edgar Anstey,1935 年)。本文深入探讨了这两部影片尽管制作于同一时期,但在描绘现实的美学方法上却表现出明显的差异。
Alberto Cavalcanti: Experimental Realism in Coal Face
The examination of Brazilian filmmaker Alberto Cavalcanti’s contribution to documentary history will be undertaken here through a close analysis of his early film "Coal Face" (1935), which depicts the lives of coal workers in England. This film will be juxtaposed with two other significant documentaries from the same period. The first is "Industrial Britain" (Robert Flaherty, 1931/1933), and the second is "Housing Problems" (Arthur Elton and Edgar Anstey, 1935). This article delves into a discussion that, despite being produced during the same period, these films exhibit notable disparities in their aesthetical approaches to portraying reality.