{"title":"安加拉风格的岩石艺术:地区标志性和同步风格的演变","authors":"Lynda D. McNeil","doi":"10.1017/s095977432300046x","DOIUrl":null,"url":null,"abstract":"<p>Rebutting previous claims, the paper employs comparative stylistic analysis and palaeoenvironmental data to argue that Angara style rock art originated in the Mongolian Altai during the Upper Palaeolithic (13,000–10,300 <span>bp</span>) where it evolved in situ. Around 8200–7300 <span>bp</span>, drought forced the hunter-gatherers who created Angara style rock art to migrate to the Upper Yenisey and the Selenga and Angara basins. When drought impacted that area c. 7500–7000 <span>bp</span>, Kotoi (Ket) culture descendants sought refuge in the resource-rich Minusinsk Basin. On the Middle Yenisey River, Angara style rock art served as a mnemonic device that encoded the syncretism of proto Ket and Evenki cosmologies and beliefs resulting from their social alliance.</p>","PeriodicalId":47164,"journal":{"name":"CAMBRIDGE ARCHAEOLOGICAL JOURNAL","volume":"2 4 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Angara Style Rock Art: The Evolution of a Regional Emblematic and Syncretic Style\",\"authors\":\"Lynda D. McNeil\",\"doi\":\"10.1017/s095977432300046x\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Rebutting previous claims, the paper employs comparative stylistic analysis and palaeoenvironmental data to argue that Angara style rock art originated in the Mongolian Altai during the Upper Palaeolithic (13,000–10,300 <span>bp</span>) where it evolved in situ. Around 8200–7300 <span>bp</span>, drought forced the hunter-gatherers who created Angara style rock art to migrate to the Upper Yenisey and the Selenga and Angara basins. When drought impacted that area c. 7500–7000 <span>bp</span>, Kotoi (Ket) culture descendants sought refuge in the resource-rich Minusinsk Basin. On the Middle Yenisey River, Angara style rock art served as a mnemonic device that encoded the syncretism of proto Ket and Evenki cosmologies and beliefs resulting from their social alliance.</p>\",\"PeriodicalId\":47164,\"journal\":{\"name\":\"CAMBRIDGE ARCHAEOLOGICAL JOURNAL\",\"volume\":\"2 4 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-03-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMBRIDGE ARCHAEOLOGICAL JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s095977432300046x\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMBRIDGE ARCHAEOLOGICAL JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s095977432300046x","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
Angara Style Rock Art: The Evolution of a Regional Emblematic and Syncretic Style
Rebutting previous claims, the paper employs comparative stylistic analysis and palaeoenvironmental data to argue that Angara style rock art originated in the Mongolian Altai during the Upper Palaeolithic (13,000–10,300 bp) where it evolved in situ. Around 8200–7300 bp, drought forced the hunter-gatherers who created Angara style rock art to migrate to the Upper Yenisey and the Selenga and Angara basins. When drought impacted that area c. 7500–7000 bp, Kotoi (Ket) culture descendants sought refuge in the resource-rich Minusinsk Basin. On the Middle Yenisey River, Angara style rock art served as a mnemonic device that encoded the syncretism of proto Ket and Evenki cosmologies and beliefs resulting from their social alliance.
期刊介绍:
The Cambridge Archaeological Journal is the leading journal for cognitive and symbolic archaeology. It provides a forum for innovative, descriptive and theoretical archaeological research, paying particular attention to the role and development of human intellectual abilities and symbolic beliefs and practices. Specific topics covered in recent issues include: the use of cultural neurophenomenology for the understanding of Maya religious belief, agency and the individual, new approaches to rock art and shamanism, the significance of prehistoric monuments, ritual behaviour on Pacific Islands, and body metamorphosis in prehistoric boulder artworks. In addition to major articles and shorter notes, the Cambridge Archaeological Journal includes review features on significant recent books.