烙印野兽作为神秘学广告商的阿莱斯特-克劳利

IF 0.1 4区 哲学 0 RELIGION Religion and the Arts Pub Date : 2024-03-27 DOI:10.1163/15685292-02801002
Henrik Bogdan
{"title":"烙印野兽作为神秘学广告商的阿莱斯特-克劳利","authors":"Henrik Bogdan","doi":"10.1163/15685292-02801002","DOIUrl":null,"url":null,"abstract":"<p>This article discusses the British occultist Aleister Crowley (1875–1947) as an advertiser of the occult. Relying on theories of advertising and branding, it is argued that Crowley’s main branding strategy was the use of irony and humor in order to distance himself from other actors on the occult market. Furthermore, it is argued that this can be understood as a strategy of legitimization rooted in class consciousness, and more specifically in the elite intellectualism of turn-of-the-century Oxbridge. Crowley’s brand identity as the Great Beast 666, the Prophet of a New Age or Aeon, is analyzed with a special focus on his branding strategies in advertising, divided into (1) advertisements in books, (2) prospectuses, (3) marketing campaigns, and (4) the marketing of Crowley as a spiritual teacher.</p>","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Branding the Beast: Aleister Crowley as an Advertiser of the Occult\",\"authors\":\"Henrik Bogdan\",\"doi\":\"10.1163/15685292-02801002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>This article discusses the British occultist Aleister Crowley (1875–1947) as an advertiser of the occult. Relying on theories of advertising and branding, it is argued that Crowley’s main branding strategy was the use of irony and humor in order to distance himself from other actors on the occult market. Furthermore, it is argued that this can be understood as a strategy of legitimization rooted in class consciousness, and more specifically in the elite intellectualism of turn-of-the-century Oxbridge. Crowley’s brand identity as the Great Beast 666, the Prophet of a New Age or Aeon, is analyzed with a special focus on his branding strategies in advertising, divided into (1) advertisements in books, (2) prospectuses, (3) marketing campaigns, and (4) the marketing of Crowley as a spiritual teacher.</p>\",\"PeriodicalId\":41383,\"journal\":{\"name\":\"Religion and the Arts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Religion and the Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/15685292-02801002\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religion and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/15685292-02801002","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0

摘要

本文讨论了作为神秘学广告商的英国神秘学家阿莱斯特-克劳利(1875-1947 年)。文章以广告和品牌理论为基础,论证了克劳利的主要品牌战略是使用讽刺和幽默来拉开自己与神秘学市场上其他参与者的距离。此外,论文还认为这可以理解为一种植根于阶级意识的合法化策略,更具体地说是植根于世纪之交牛津剑桥的精英知识分子意识。本文分析了克劳利作为 "巨兽 666"、"新纪元 "或 "永恒 "先知的品牌身份,特别关注他在广告中的品牌战略,分为(1)书籍广告、(2)招股说明书、(3)营销活动和(4)将克劳利作为精神导师的营销活动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Branding the Beast: Aleister Crowley as an Advertiser of the Occult

This article discusses the British occultist Aleister Crowley (1875–1947) as an advertiser of the occult. Relying on theories of advertising and branding, it is argued that Crowley’s main branding strategy was the use of irony and humor in order to distance himself from other actors on the occult market. Furthermore, it is argued that this can be understood as a strategy of legitimization rooted in class consciousness, and more specifically in the elite intellectualism of turn-of-the-century Oxbridge. Crowley’s brand identity as the Great Beast 666, the Prophet of a New Age or Aeon, is analyzed with a special focus on his branding strategies in advertising, divided into (1) advertisements in books, (2) prospectuses, (3) marketing campaigns, and (4) the marketing of Crowley as a spiritual teacher.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
45
期刊最新文献
Sacred Sorrow, Sacred Joy: The Psalmic Aesthetic in Edwidge Danticat Theology Gone Pink: A Consideration of Greta Gerwig’s Barbie A Survey of American Synagogue Stained Glass: 1845 to the Present God Is Time; The Devil Rules over Space: Theological Reflections on Val Del Omar’s Recrudescence of Berruguete in Fire in Castile Dionysus and His Discontents: Variations on a Motif in Joseph Conrad, Henry James, and Thomas Mann
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1