Ma Rainey's Spiritual Blues:探索《马-雷尼的黑人底层》中宗教与音乐的交集

Sharon Hooda
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引用次数: 0

摘要

奥古斯特-威尔逊的《玛-雷尼的黑底》是一部戏剧杰作,它不仅抓住了爵士乐时代的精髓,还深入探讨了美国黑人经历的复杂性,包括宗教的作用。宗教作为一个微妙的背景,增加了人物及其经历的深度。本文将深入探讨剧中如何描绘宗教,尤其是在精神和音乐方面,以及宗教如何影响剧中人物及其世界观。通过分析音乐的精神力量、利维和杰里米对宗教的截然不同的观点以及微妙的宗教象征意义,本文揭示了 20 世纪 20 年代芝加哥黑人音乐家生活中精神与艺术的交汇点。
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Ma Rainey's Spiritual Blues: Exploring the Intersection of Religion and Musicin Ma Rainey's Black Bottom
August Wilson's Ma Rainey's Black Bottom is a theatrical masterpiece that not only captures the essence of the jazz era but also delves into the complexities of the African American experience, including the role of religion. Religion serves as a nuanced backdrop that adds depth to the characters and their experiences. This paper delves into how religion is portrayed in the play, particularly in the context of spirituality and music, and how it influences the characters and their worldviews. By analysing the spiritual power of music, the contrasting perspectives of Levee and Jeremy on religion, and the subtle religious symbolism, this paper sheds light on the intersection of spirituality and artistry in the lives of Black musicians in 1920s Chicago.
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