{"title":"模仿的逻辑","authors":"Loren D. Marsh","doi":"10.1163/1568525x-bja10239","DOIUrl":null,"url":null,"abstract":"\nThe meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.","PeriodicalId":46134,"journal":{"name":"MNEMOSYNE","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Logic of Imitations\",\"authors\":\"Loren D. Marsh\",\"doi\":\"10.1163/1568525x-bja10239\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.\",\"PeriodicalId\":46134,\"journal\":{\"name\":\"MNEMOSYNE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MNEMOSYNE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/1568525x-bja10239\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MNEMOSYNE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1568525x-bja10239","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
The meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.
期刊介绍:
Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.