{"title":"模仿的逻辑","authors":"Loren D. Marsh","doi":"10.1163/1568525x-bja10239","DOIUrl":null,"url":null,"abstract":"\nThe meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.","PeriodicalId":0,"journal":{"name":"","volume":"36 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Logic of Imitations\",\"authors\":\"Loren D. Marsh\",\"doi\":\"10.1163/1568525x-bja10239\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":\"36 23\",\"pages\":\"\"},\"PeriodicalIF\":0.0,\"publicationDate\":\"2024-03-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/1568525x-bja10239\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1568525x-bja10239","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.