模仿的逻辑

IF 0.4 3区 历史学 0 CLASSICS MNEMOSYNE Pub Date : 2024-03-27 DOI:10.1163/1568525x-bja10239
Loren D. Marsh
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引用次数: 0

摘要

在亚里士多德的《诗学》中,"模仿"(mimesis)一词用于艺术作品的含义被认为是从其字典定义 "模仿 "中推导出来的。我认为,在将 mimesis 与 imitation 直接联系起来的唯一段落中,有一个关键词一直被误解。正确的解读可能表明,在这一特定文本中,mimesis 有不同的定义,只是与其口语用法间接相关。我的结论是,《诗学》中的 mimesis 可能是一个狭义的专业术语,指的是艺术作品中个体模仿的一种特殊组织或安排。
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The Logic of Imitations
The meaning of the term mimesis when applied to artistic works in Aristotle’s Poetics is thought to be extrapolated from its dictionary definition of ‘imitation’. I argue that a key word in the single passage directly linking mimesis to imitation has been consistently misunderstood. A correct reading could indicate mimesis has a different definition in this particular text only indirectly related to its colloquial use. I conclude that mimesis in the Poetics may be a narrower technical term that refers to a particular kind of organization or arrangement of individual imitations within an artistic work.
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来源期刊
MNEMOSYNE
MNEMOSYNE CLASSICS-
CiteScore
0.50
自引率
0.00%
发文量
50
期刊介绍: Since its first appearance as a journal of textual criticism in 1852, Mnemosyne has secured a position as one of the leading journals in its field worldwide. Its reputation is built on the Dutch academic tradition, famous for its rigour and thoroughness. It attracts contributions from all over the world, with the result that Mnemosyne is distinctive for a combination of scholarly approaches from both sides of the Atlantic and the Equator. Its presence in libraries around the globe is a sign of its continued reputation as an invaluable resource for scholarship in Classical studies.
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