Why Make Atlas Dance? Colonial Utopia that Persists in Contemporary Robotics

This paper addresses the colonialist values at the foundation of Boston Dynamics’ humanoid robot Atlas and contemporary robotics, generally, through an analysis of its dance video ‘Do You Love Me?’. This paper focuses on the concepts of ‘extractivism’ and ‘recognition’ to reveal how colonialist logic guides the human-robot relationship. I argue that Atlas is a new, posthuman colonial subject that has emerged in contemporary society and that, despite not having a sense of self and thus dodging ethical criticisms, robots such as Atlas display the succession and replication of colonial logic and practices. In other words, the desire for a colonial utopia—where we humans construct and rule the world based on the oppression and extraction of less-than-human others—haunts the robot that dances for your love. This paper thus problematizes the prevalence of colonialism in robotics and calls for reflection on the development of today’s robotics deeper than the symptoms of racism, sexism, and capitalism. Furthermore, I demonstrate how extraction as a dispossessing, dehumanizing force, and recognition as framing of false identity are two major mechanisms of colonialism that work closely together. Through the two tactics, colonialism not only serves capitalism but also deceptively obscures its existence.