对 U. Eco 和 R. Barthes 的神话理论(哲学和文化方面)的比较分析

Pan-Art Pub Date : 2024-02-19 DOI:10.30853/pa20240004
Alyona Dmitrievna Fofanova
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摘要

本研究旨在通过对翁贝托-艾柯(Umberto Eco)和罗兰-巴特(Roland Barthes)的哲学和文化文本进行比较分析,确定他们的神话理论的具体内容,以及这些理论的相似之处。论文从以下几个方面分析了这两位研究者的神话理论:神话作为一种特殊的符号系统;神话的整体性、多功能性;神话的意识形态化;神话对不断的语义变形的敏感性等。研究结果证实了 R. Barthes 和 U. Eco 的神话理论在上述所有方面都是同构的这一论点。研究表明,在两位思想家的理论中,神话都被视为一种核心现象,是一种 "开放文本",是现代文化中超现实和意识形态体系的基础。
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Comparative analysis of the theories of myth by U. Eco and R. Barthes (the philosophical and cultural aspect)
The study aims to identify the specifics of the theories of myth by Umberto Eco and Roland Barthes, as well as the similarity of these theories through a comparative analysis of their philosophical and cultural texts. The paper analyzes the theories of myth by the specified researchers taking into account the following aspects: myth as a special semiotic system; myth integrality, polyfunctionality; myth ideologization; susceptibility of myth to constant semantic metamorphoses, etc. As a result of the study, the thesis that the theories of myth by R. Barthes and U. Eco are isomorphic in all the above-mentioned aspects was substantiated. It was shown that in the theories of both thinkers, myth is seen as a central phenomenon, which is an “open text”, the basis of hyperreality and ideological systems in modern culture.
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