SMCU 第 1 集 "黑曼巴 "短片中 Aespa 虚拟成员的存在

Dewi Natalia Sriwahyuni Tjan, Swita Amallia Hapsari
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摘要

本定性研究分析了 YouTube 上以女子组合 Aespa 为主角的 SM 娱乐公司 SMCU(SM Culture Universe)系列短片《Black Mamba》中的虚拟人物现象,以研究新媒体中的传播动态。分析采用查尔斯-桑德斯-皮尔斯(Charles Sanders Peirce)的符号学框架,探讨符号、对象和解释在影片中如何相互作用。研究结果强调了 SM 娱乐公司将虚拟和实体领域与 SMCU 概念巧妙地结合在一起。虚拟角色似乎超越了数字界限,营造出迷人的神秘氛围。人类很有可能在现实世界中与这些虚拟人物建立起强烈的情感联系,从而产生一种想要与虚拟人物共同生活的感觉。此外,研究强调了虚拟角色在现实世界环境中互动的重要性,引发了对以技术为媒介的人类参与的思考。加入哲学名言,特别是让-保罗-萨特的名言,增加了叙事的哲学思考。总之,本研究深刻揭示了 YouTube 等新媒体在创造独特叙事体验中的作用。它鼓励对当今流行文化中符号学、身份和技术的交叉进行学术讨论。
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Aespa's Virtual Member Existence in the SMCU Episode 1 "Black Mamba" Short Movie
This qualitative study analyses the phenomenon of virtual characters in "Black Mamba" a short film from SM Entertainment's SMCU (SM Culture Universe) series featuring the girl group Aespa on YouTube, in order to examine the dynamics of communication in new media. The analysis uses Charles Sanders Peirce's semiotic framework to explore how signs, objects, and interpretations interact in the film. The findings emphasise SM Entertainment's skilled integration of virtual and physical realms with the SMCU concept. Virtual personas appear to transcend digital boundaries, creating a captivating aura of mystery. Humans form strong emotional connections with these virtual characters, most likely in the real world, giving rise to a feeling of wanting to live together with the virtual characters. In addition, the research highlights the importance of virtual character's interaction in the real-world environment, prompting reflection on technology-mediated human engagement. Incorporating philosophical quotations, particularly those of Jean-Paul Sartre, adds to the philosophical consideration of the narrative. In conclusion, this study offers a profound insight into the role of new media, such as YouTube, in the creation of a distinct narrative experience. It encourages a scholarly discussion of the intersections of semiotics, identity, and technology in today's popular culture.
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