关注的艺术和奥斯陆建筑三年展

Cecilie Sachs Olsen
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摘要

本文从两方面出发:首先,注意力是我们所面临的环境挑战的核心;其次,通过(更多地)关注我们所居住的经过改良、改造和控制的城市环境,我们可以更好地应对这些挑战。因此,本文提出并介绍了 "城市关注生态学",旨在扩大我们关注城市形态的能力,从而为批判性地处理和创造性地协商城市的建设和居住方式提供可能性。城市关注生态学的潜力和挑战是通过对围绕 "退化 "主题的广泛批判性空间实践的基于实践的描述来思考的。这些实践以表演、装置和其他艺术项目的形式出现,作者以2019年奥斯陆建筑三年展策展人的身份收集、开发和展示了这些项目:挪威设计与建筑中心的未来工厂。OAT / Istvan Virag。
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The arts of attention and Oslo Architecture Triennale
This paper starts from a two-fold observation: firstly, that attention rests at the core of our environmental challenges; and secondly, that by becoming (more) attentive to the modified, transformed, and controlled urban environments in which we dwell, we may be better equipped to attend to these challenges. The paper therefore develops and introduces “an urban attention ecology” that seeks to expand our ability to attend to urban form in ways that open possibilities to critically address and creatively negotiate the ways in which cities are built and inhabited. The potentials and challenges of the urban attention ecology are thought through in a practice-based account of a broad range of critical spatial practices centring around the theme of degrowth. These practices took the form of performances, installations, and other artistic projects that the author gathered, developed and presented as curator of the Oslo Architecture Triennale 2019. Cover photo: The Factory of the Future at the Norwegian Centre for Design and Architecture. OAT / Istvan Virag.
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How do you know? The stitch project Finding objects, connecting dots Researching public art and public space, part 2 The arts of attention and Oslo Architecture Triennale
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