通过启发式教学法提高艺术创造力

Feng Gao
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摘要

教育的本质是培养有用的人。受教育的 "人 "是学生,教与学是教学过程的重要组成部分。师生之间、多方之间也是一种良性互动的关系。启发式教学是教学过程中激发学生主观能动性的有效方法和手段。目前,在我国高校戏剧表演专业的艺术语言表达教学中,专业定位往往比较模糊,存在着明显的同质化问题。在这种教学理念下,培养出来的学生大多趋于高度同质化,缺乏培养毕业生独立个性和特色的能力。本研究将采用文献综述法对传统教学法和启发式教学法进行比较。研究发现,传统教学的弊端在于过分强调教师的主体地位,只注重知识的传授,忽视了学生自身的创造性思维,甚至限制了学生的创造力。采用启发式教学后,课堂成为师生积极参与、共同完成教学活动的场所。它把 "教与学 "的主动权还给了学生。教师的角色从注入知识转变为鼓励学生积极思考和创新,最终实现 "百人不同声,千人不同面 "而非 "千人同一面,万人同一声 "的艺术语言表达。
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Enhancing Artistic Creativity through Heuristic Teaching Methods
The essence of education is to cultivate individuals who are useful. The "people" being educated are the students, and teaching and learning are the essential components of the teaching process. There is also a positive interactive relationship between teachers and students, as well as among multiple parties. Heuristic teaching is a beneficial method and means to stimulate students' initiative during the teaching process. Currently, in the teaching of artistic language expression in Chinese universities' drama performance majors, the positioning of the major is often vague, and there is a significant issue of homogenization. Under this teaching philosophy, most students trained tend to have a high degree of homogeneity and lack the ability to cultivate independent personalities and characteristics in graduates. This study will use a literature review approach to compare traditional teaching methods and heuristic teaching methods. It has been found that the shortcomings of traditional teaching lie in an excessive emphasis on the teacher as the main actor, with a sole focus on knowledge transfer, neglecting the students' own creative thinking, and even limiting their creativity. When heuristic teaching is applied, the classroom becomes a place where teachers and students actively participate in and complete the teaching and learning activities together. It gives the initiative of "teaching and learning" back to the students. The teacher's role shifts from injecting knowledge to encouraging students to think and innovate actively, ultimately achieving artistic language expression where "a hundred people have different voices, a thousand people have different faces," rather than "a thousand people have the same face, ten thousand people have the same voice."
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