约瑟夫-布罗茨基的诗歌 "上帝不住在村角...... "中作为屋灵的上帝

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Nauchnyi Dialog Pub Date : 2024-01-30 DOI:10.24224/2227-1295-2024-13-1-225-237
O. Bogdanova, T. N. Baranova
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引用次数: 0

摘要

文章对伊-布罗茨基(I. Brodsky)那首著名但鲜有分析的挽歌 "在村庄里,上帝不住在角落里......"(1964 年)进行了解读。(1964).对布罗茨基文本的传统分析侧重于其 "黑暗之处"、"困难 "和 "前后矛盾",并注意到其 "世界观的折衷主义",而作者则提出了一个不同的视角--需要将文本视为语言隐喻的实现,这使我们能够放弃文本中的 "秘密写作 "和 "加密 "概念。这种方法消除了评论家对诗句 "混乱 "和 "过载 "的说法,反而展示了抒情主体思考的连贯性和清晰性。布罗茨基认为,在村庄里,上帝住在普通人的心里,参与生活中所有最平凡的事情(建筑、耕作、烹饪、婚礼等),分享他们的喜悦,在困难时帮助他们,在悲伤时安慰他们。布罗茨基在诗中塑造了一个独特的形象,他不是《圣经》中的神,而是 "民间 "的家神、主人神,一个在俄罗斯人的一切努力中陪伴着他们的友善、可亲的神。有人认为,"在村庄里,上帝并不住在角落里...... "这首诗并非试图 "寻找上帝",而是年轻诗人意识到了与普通人的 "共同体意识",理解了重要的 "生活基础"。
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God as a House Spirit in Joseph Brodsky’s Poem “God Does Not Live in Village Corners...”
The article proposes an interpretation of the well-known, but rarely analyzed elegy by I. Brodsky, “In the village, God does not live in corners...” (1964). While traditional analyses of Brodsky’s text focus on its “dark places,” “difficulties,” and “inconsistencies,” and note its “eclecticism of worldview,” the authors suggest a different perspective — the need to view the text as the realization of a verbal metaphor, which allows us to abandon notions of “secret writing” and “encryption” in the text. This approach removes critics’ claims regarding the “chaotic” and “overloaded” nature of the verse, and instead demonstrates the coherence and clarity of the lyrical subject’s reflections. According to Brodsky, in villages, God lives in the hearts of ordinary people, participating in all the most mundane events of life (construction, plowing, cooking, weddings, etc.), sharing their joy, helping them in times of trouble, and comforting them in grief. Brodsky creates a unique image not of the canonized biblical God, but of a “folk” house spirit, a host God, a friendly and companionable God who accompanies the Russian person in all their endeavors. It is argued that the poem “In the village, God does not live in corners...” was not an attempt at “seeking God,” but rather an awareness of a “sense of community” with the common people and an understanding of important “foundations of life” for the young poet.
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来源期刊
Nauchnyi Dialog
Nauchnyi Dialog HUMANITIES, MULTIDISCIPLINARY-
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