无知与屈服伊格纳齐奥-西隆的《丰塔马拉案

Nagham Abdelgawad Abdelaziz Mohamed
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摘要

这项研究深入探讨了个人知识的匮乏如何在使他们容易受到那些旨在统治他们的人的控制方面起着至关重要的作用。这一主题在西洛内的《丰塔马拉》中得到了突出体现,作者在书中揭示了阿布鲁佐农民和广大工人阶级长期遭受的剥削和屈从。这部小说不仅凄惨地描述了阿布鲁佐农民在法西斯统治时期所经受的恶劣条件,还为如何长期控制一个社区提供了指导。在这种情况下,无知成为一种障碍,阻碍人们了解和主张自己的权利,对他们所遭受的苦难表示恼怒,并最终导致他们在不知不觉中失去了他们所了解的权利。一个文盲和缺乏意识的社会无法为自己的事业提供支持者。此外,那些希望逃往更人性化生活的人受到当局的阻挠,因为当局害怕他们带着可能挑战现状的启蒙思想回来。丰塔玛拉》是对法西斯主义的批判和谴责,它压迫穷人,教会内部腐败,利用宗教统治无知者。
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Ignoranza e sottomissione. Il caso di Fontamara di Ignazio Silone
The study delves into how individuals' lack of knowledge plays a crucial role in making them susceptible to control by those who aim to rule over them. This theme is prominently featured in Silone's Fontamara , where the author sheds light on the long-standing exploitation and resignation of Abruzzo's peasants and the broader working class. The novel not only serves as a poignant account of the harsh conditions endured by Abruzzese peasants during the fascist regime but also as a guide on sustaining control over a community for an extended period. Ignorance in this context becomes a barrier, preventing people from understanding and claiming their rights, expressing annoyance at their suffering, and ultimately causing them to unwittingly lose their rights once learned. A society marked by illiteracy and lack of awareness finds itself incapable of having advocates for its cause. Moreover, those desiring to escape for a more human life are thwarted by authorities, fearing the potential return with enlightened ideas that might challenge the status quo. Fontamara is a critique and condemnation of fascism, its oppression of the impoverished, and the corruption within the church, exploiting religion to dominate the ignorant.
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The impact of translation training and expectations of the Saudi translation market: A comparative analysis of translation competence between undergraduate students and professional translators Ignoranza e sottomissione. Il caso di Fontamara di Ignazio Silone 阿汉科幻文学研究 以《午夜太阳》和《流浪地球》为例 La función intertextual de la leyenda en La Llorona, de Marcela Serrano, y An-naddāha (la llorona), de Khālid Al-Mahdī Info Issue
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