威尔基-柯林斯《白衣女人》和《无名氏》中的非法身份与法律

Sercan Öztekin
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引用次数: 0

摘要

维多利亚时代的煽情小说,除了欺诈、谋杀、通奸、重婚和疯狂等丑闻题材外,还涉及维多利亚时代的法律及其社会和文化标准的构建。作为一名重要的煽情小说家,威尔基-柯林斯呼吁人们关注的最重要主题之一就是私生子问题,这也是他在小说中反复使用的一个社会、政治和文学话题。在他的小说《白衣女子》(1860 年)和《无名氏》(1862 年)中,他都对这一问题进行了深入探讨,并将其作为人物犯罪和丑行的动机。在这两部小说中,非婚生子女们通过挑战维多利亚时代的规范,尤其是关于非婚生子女的规范,以非法行为重建自己的身份。本文结合威尔基-柯林斯的生平及其对维多利亚时代法律和道德观念的批判,探讨了他如何运用并质疑私生子这一主题,以及影响私生子的犯罪、感觉、社会和法律问题。在简要研究了维多利亚时代英国的私生子问题和相关法律后,本文探讨了在这两部小说中,维多利亚时代的习俗和性别意识形态是如何塑造和影响私生子概念的。
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Wilkie Collins’in The Woman in White ve No Name Adlı Eserlerinde Gayrimeşruluk ve Yasalar
Victorian sensation novels, in addition to their scandalous topics such as fraud, murder, adultery, bigamy, and madness, refer to Victorian laws and their construction by social and cultural standards. As a significant sensation novelist, one of the most important subjects Wilkie Collins calls for attention is illegitimacy, a social, political, and literary topic he recurrently employs in his fiction. In his novels The Woman in White (1860) and No Name (1862), he dwells on this issue, motivating the characters’ crimes and scandalous acts. In both novels, illegitimate characters act illegally to reconstruct their identities by challenging Victorian norms especially about illegitimacy. Concerning his life and his critique of Victorian laws and moral certitudes, this paper explores how Wilkie Collins employs and questions the theme of illegitimacy about crime, sensations, and social and legal problems that influence illegitimate children. After briefly examining illegitimacy and laws about it in Victorian England, it explores how the concept of illegitimacy is shaped and influenced by Victorian conventions and gender ideologies in the two novels.
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Wilkie Collins in Context, ed. by William Baker and Richard Nemesvari Wilkie Collins: The Complete Fiction, by Stephen Knight We Are All Monsters: How Deviant Organisms Came to Define Us, by Andrew Mangham The Epistemic and Material Violence Exerted Against Women in The Woman in White from a Posthuman Feminist Perspective Ocular Poetics of Wilkie Collins’s The Woman in White
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