{"title":"冲突报道中的真实性:印度新闻界对中印边境冲突的报道","authors":"Arjun Chatterjee","doi":"10.1177/09760911231215171","DOIUrl":null,"url":null,"abstract":"The India–China border clash in Galwan Valley in June 2020, the first deadly skirmish between the two Asian giants in the Himalayan border area in over four decades, highlighted the need to examine the notion of ‘authenticity’ in journalistic practices. Information from such remotely located, sparsely populated and not well-demarcated international land borders has limited sources, restricted to official sources with their narrative. Geopolitical goals and ambitions embolden narratives of nationalism in the media, and these often challenge the notion and understanding of authenticity in journalism. The Indian press, contrary to the state-owned Chinese press, is diverse and confrontational, where narratives of nationalism are differentially interpreted, embedded and realised. This article examines how authenticity has become a variable, rather than a constant, in conflict reporting of the Sino-Indian border clash and how authenticity is interpreted similarly or differently in conflict journalism. The article reports qualitative textual analysis of two leading English-language newspapers: The Times of India and The Hindu and two mainstream regional-language newspapers: Amar Ujala (Hindi) and Anandabazar Patrika (Bengali), to evaluate how representations of information function in conflict reporting and recontextualise (and thus change or modify the meaning of) that which they represent, and with what political and cultural implications.","PeriodicalId":52105,"journal":{"name":"Media Watch","volume":"8 2","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Authenticity During Conflict Reporting: The China–India Border Clash in the Indian Press\",\"authors\":\"Arjun Chatterjee\",\"doi\":\"10.1177/09760911231215171\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The India–China border clash in Galwan Valley in June 2020, the first deadly skirmish between the two Asian giants in the Himalayan border area in over four decades, highlighted the need to examine the notion of ‘authenticity’ in journalistic practices. Information from such remotely located, sparsely populated and not well-demarcated international land borders has limited sources, restricted to official sources with their narrative. Geopolitical goals and ambitions embolden narratives of nationalism in the media, and these often challenge the notion and understanding of authenticity in journalism. The Indian press, contrary to the state-owned Chinese press, is diverse and confrontational, where narratives of nationalism are differentially interpreted, embedded and realised. This article examines how authenticity has become a variable, rather than a constant, in conflict reporting of the Sino-Indian border clash and how authenticity is interpreted similarly or differently in conflict journalism. The article reports qualitative textual analysis of two leading English-language newspapers: The Times of India and The Hindu and two mainstream regional-language newspapers: Amar Ujala (Hindi) and Anandabazar Patrika (Bengali), to evaluate how representations of information function in conflict reporting and recontextualise (and thus change or modify the meaning of) that which they represent, and with what political and cultural implications.\",\"PeriodicalId\":52105,\"journal\":{\"name\":\"Media Watch\",\"volume\":\"8 2\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media Watch\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/09760911231215171\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media Watch","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/09760911231215171","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Authenticity During Conflict Reporting: The China–India Border Clash in the Indian Press
The India–China border clash in Galwan Valley in June 2020, the first deadly skirmish between the two Asian giants in the Himalayan border area in over four decades, highlighted the need to examine the notion of ‘authenticity’ in journalistic practices. Information from such remotely located, sparsely populated and not well-demarcated international land borders has limited sources, restricted to official sources with their narrative. Geopolitical goals and ambitions embolden narratives of nationalism in the media, and these often challenge the notion and understanding of authenticity in journalism. The Indian press, contrary to the state-owned Chinese press, is diverse and confrontational, where narratives of nationalism are differentially interpreted, embedded and realised. This article examines how authenticity has become a variable, rather than a constant, in conflict reporting of the Sino-Indian border clash and how authenticity is interpreted similarly or differently in conflict journalism. The article reports qualitative textual analysis of two leading English-language newspapers: The Times of India and The Hindu and two mainstream regional-language newspapers: Amar Ujala (Hindi) and Anandabazar Patrika (Bengali), to evaluate how representations of information function in conflict reporting and recontextualise (and thus change or modify the meaning of) that which they represent, and with what political and cultural implications.
Media WatchArts and Humanities-Literature and Literary Theory
自引率
0.00%
发文量
19
期刊介绍:
Journal of Media Watch is a double blind peer-reviewed tri-annual journal published from India. It is the only journal in the discipline from Asia and India listed in many leading indexing platforms. The journal keeps high quality peer evaluation and academic standards in all levels of its publication. Journal of Media Watch reflects empirical and fundamental research, theoretical articulations, alternative critical thinking, diverse knowledge spectrum, cognizant technologies, scientific postulates, alternative social synergies, exploratory documentations, visual enquiries, narrative argumentations, innovative interventions, and minority inclusiveness in its content and selection. The journal aims at publishing and documenting research publication in the field of communication and media studies that covers a wide range of topics and sub-fields like print media, television, radio, film, public relations, advertising, journalism and social media and the cultural impact and activation of these media in the society. It aims at providing a platform for the scholars to present their research to an international academic community with wide access and reach. Published topics in Media Watch enjoy very high impact and major citation. The journal is supported by strong international editorial advisory support from leading academicians in the world.