自我展示行为：纳粹-法西斯战时文化外交

IF 0.4 3区历史学 Q1 HISTORY European History Quarterly Pub Date : 2024-04-09 DOI:10.1177/02656914241241251

Marla Stone

{"title":"自我展示行为：纳粹-法西斯战时文化外交","authors":"Marla Stone","doi":"10.1177/02656914241241251","DOIUrl":null,"url":null,"abstract":"This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.","PeriodicalId":44713,"journal":{"name":"European History Quarterly","volume":"2012 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acts of Self-Representation: Nazi-Fascist Wartime Cultural Diplomacy\",\"authors\":\"Marla Stone\",\"doi\":\"10.1177/02656914241241251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.\",\"PeriodicalId\":44713,\"journal\":{\"name\":\"European History Quarterly\",\"volume\":\"2012 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-04-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European History Quarterly\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/02656914241241251\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European History Quarterly","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/02656914241241251","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}

引用次数: 0

摘要

本文通过研究 1939 年和 1942 年希特勒的德国和墨索里尼的意大利共同支持的两个展览，探讨文化作为合作与竞争的场所。这些未被充分研究的展览揭示了这两个政权对文化作为动员工具的共同信念，以及他们对种族、文化、意识形态和战争的不同看法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

Acts of Self-Representation: Nazi-Fascist Wartime Cultural Diplomacy

This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

European History Quarterly Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： European History Quarterly has earned an international reputation as an essential resource on European history, publishing articles by eminent historians on a range of subjects from the later Middle Ages to post-1945. European History Quarterly also features review articles by leading authorities, offering a comprehensive survey of recent literature in a particular field, as well as an extensive book review section, enabling you to keep up to date with what"s being published in your field. The journal also features historiographical essays.