{"title":"自我展示行为:纳粹-法西斯战时文化外交","authors":"Marla Stone","doi":"10.1177/02656914241241251","DOIUrl":null,"url":null,"abstract":"This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.","PeriodicalId":44713,"journal":{"name":"European History Quarterly","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acts of Self-Representation: Nazi-Fascist Wartime Cultural Diplomacy\",\"authors\":\"Marla Stone\",\"doi\":\"10.1177/02656914241241251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.\",\"PeriodicalId\":44713,\"journal\":{\"name\":\"European History Quarterly\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-04-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European History Quarterly\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/02656914241241251\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European History Quarterly","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/02656914241241251","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Acts of Self-Representation: Nazi-Fascist Wartime Cultural Diplomacy
This article probes culture as a site of both cooperation and rivalry by examining two exhibitions, of 1939 and 1942, which were jointly supported by Hitler's Germany and Mussolini's Italy. These under-researched exhibitions reveal how the two regimes shared a common belief in culture as a tool of mobilization, but differed in their visions of race, culture, ideology and war.
期刊介绍:
European History Quarterly has earned an international reputation as an essential resource on European history, publishing articles by eminent historians on a range of subjects from the later Middle Ages to post-1945. European History Quarterly also features review articles by leading authorities, offering a comprehensive survey of recent literature in a particular field, as well as an extensive book review section, enabling you to keep up to date with what"s being published in your field. The journal also features historiographical essays.