通过重新利用工作室废弃材料进行非正统饰面,探索可持续美学

Samuel Nii Adamah Sampah, Henrietta Meakoa Barfi-Mensah, Ebenezer Fiifi Mensah, Charles Vicku, Mokpokpo Adja-Koadade, Ansah-Asiedu Junior
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引用次数: 0

摘要

这项研究回收利用工作室废弃的材料,如破碎的陶瓷、玻璃碎片、锯末和碎裂的 P.O.P 模具,创造出具有视觉冲击力的创意作品。这项研究的灵感来源于雕塑和陶瓷专业学生在工作室学习过程中产生的大量废弃物。以工作室为基础,利用美学行动研究设计的研究方法,系统地探索了复合材料混合物的可行性和前景。研究人员将树脂和玻璃纤维复合材料与各种工作室废弃物混合在一起。主要目的是通过非常规和独特的表面处理实现创造性成果。这些材料在创作独特艺术作品(包括独一无二的 "非洲女人")过程中的技术、哲学和象征意义的应用和使用提供了耐人寻味的见解。研究显示,工作室可以有效地将废弃材料重新利用,为雕塑和陶瓷作品创造新的铸造材料,并进行独特和非传统的表面处理。这凸显了一次性废弃材料的内在转化能力,为新的、可持续的艺术实践提供了一个令人信服的机会,材料的表面处理不会被掩盖。
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Exploring sustainable aesthetics through repurposed studio waste materials for unorthodox finishes

This study recycles and repurposes discarded studio waste materials, such as broken ceramics, glass fragments, sawdust, and bits of shattered P.O.P molds, to create visually compelling creative works. The interest for this study is inspired by the prolific generation of waste that arises from the studio learning practices of sculpture and ceramic students. A studio-based research approach utilizing Aesthetico-Action Research design is employed in a systematic approach to explore the feasibility and promise of composite amalgamation. The researchers mix resin and fiberglass composite materials with the various types of studio waste. The primary objective is to achieve creative outcomes with unconventional and unique finishes. The technique, philosophical and symbolic application, and usage of these materials in creating distinct art pieces including an exclusive “African woman” offer intriguing insights. The study reveals that the studio can efficiently repurpose waste materials, creating new cast materials for sculptures and ceramic works with distinctive and non-traditional finishes. This highlights the intrinsic transforming capacity of disposable waste materials, presenting a compelling opportunity for new and sustainable artistic practice where material finishes are not concealed.

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