黑暗诗歌与反伦理:接近无法言说的事物

IF 0.1 3区 文学 0 LITERATURE COLLEGE LITERATURE Pub Date : 2024-04-09 DOI:10.1353/lit.2024.a924344
Alyson Miller, Cassandra Atherton, Paul Hetherington
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引用次数: 0

摘要

摘要:"黑暗旅游"(Dark Tourism)是一个与前往与著名死者有关的地方朝圣有关的术语。"黑暗诗歌 "试图想象、探索或重现黑暗事件。以查尔斯-雷兹尼科夫(Charles Reznikoff)的大屠杀诗歌和永井真理子(Mariko Nagai)的诗集《辐照的城市》(2017)为例,我们讨论了黑暗诗歌使用的反抒情模式,这种模式注重历史的特殊性,对黑暗事件进行重新塑造和问题化,同时采用大量的间隙和片段。这种诗歌通常由第二代诗人和非幸存者诗人创作,接近不可言说的概念,同时在不可理解的事件和人类想象力之间架起一座重要的桥梁,并挑战语言理解 "不可言说 "的能力。
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Dark Poetry and the Anti-Elegiac: Approaching the Unspeakable

Abstract:

Dark Tourism is a term associated with pilgrimages to places associated with the famous dead. "Dark Poetry" attempts to imagine, explore, or reanimate a dark event. Using Charles Reznikoff's Holocaust poetry and Mariko Nagai's collection, Irradiated Cities (2017) as examples, we discuss dark poetry's use of an anti-elegiac mode, which focuses on historical particularities in refashioning and problematizing dark events while employing numerous gaps and fragmentations. This poetry, often written by second-generation and non-survivor poets, approaches notions of the ineffable while providing an important bridge between incomprehensible events and the human imagination, and challenging language's capacity to comprehend the "unspeakable."

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COLLEGE LITERATURE
COLLEGE LITERATURE LITERATURE-
CiteScore
0.40
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发文量
27
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