克伦威尔保护国时期的婚礼诗歌政治:威廉-达文特爵士与 "海门政策"

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS STUDIES IN PHILOLOGY Pub Date : 2024-04-06 DOI:10.1353/sip.2024.a923967
Niall Allsopp
{"title":"克伦威尔保护国时期的婚礼诗歌政治:威廉-达文特爵士与 \"海门政策\"","authors":"Niall Allsopp","doi":"10.1353/sip.2024.a923967","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>This essay presents a reading of Sir William Davenant’s previously unstudied poem “Epithalamium. The Morning after the Marriage of the Earl of Barymore with Mrs. Martha Laurence,” written in October 1656. The poem offers a significant comparison to Andrew Marvell’s near-contemporary wedding song for the marriage of Oliver Cromwell’s daughter Mary. It thereby sheds light on Cromwellian poets’ efforts to formulate a poetic language in which to address the Protectoral court. The essay contextualizes the poem in the political realignment of the Cromwellian regime in 1656–1657. It suggests that Davenant’s paradoxical style attempts to adapt the courtly epithalamium to the minimalistic religious settlement and the principle of toleration for Protestants that underpinned the Cromwellian coalition. In this way, the poem illustrates how the 1650s Davenant can be read as a Cromwellian poet, alongside Marvell, Edmund Waller, and even John Milton, developing his ambitious and idiosyncratic ideas about public festivity and civil religion.</p></p>","PeriodicalId":45500,"journal":{"name":"STUDIES IN PHILOLOGY","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Politics of Wedding Poetry under the Cromwellian Protectorate: Sir William Davenant and \\\"Hymen's Policy\\\"\",\"authors\":\"Niall Allsopp\",\"doi\":\"10.1353/sip.2024.a923967\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>This essay presents a reading of Sir William Davenant’s previously unstudied poem “Epithalamium. The Morning after the Marriage of the Earl of Barymore with Mrs. Martha Laurence,” written in October 1656. The poem offers a significant comparison to Andrew Marvell’s near-contemporary wedding song for the marriage of Oliver Cromwell’s daughter Mary. It thereby sheds light on Cromwellian poets’ efforts to formulate a poetic language in which to address the Protectoral court. The essay contextualizes the poem in the political realignment of the Cromwellian regime in 1656–1657. It suggests that Davenant’s paradoxical style attempts to adapt the courtly epithalamium to the minimalistic religious settlement and the principle of toleration for Protestants that underpinned the Cromwellian coalition. In this way, the poem illustrates how the 1650s Davenant can be read as a Cromwellian poet, alongside Marvell, Edmund Waller, and even John Milton, developing his ambitious and idiosyncratic ideas about public festivity and civil religion.</p></p>\",\"PeriodicalId\":45500,\"journal\":{\"name\":\"STUDIES IN PHILOLOGY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-04-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN PHILOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sip.2024.a923967\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN PHILOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sip.2024.a923967","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0

摘要

摘要:本文解读了威廉-达文特爵士之前未曾研究过的诗作《Epithalamium.巴里摩尔伯爵与玛莎-劳伦斯夫人结婚后的早晨》,写于 1656 年 10 月。这首诗与安德鲁-马维尔(Andrew Marvell)为奥利弗-克伦威尔(Oliver Cromwell)的女儿玛丽(Mary)的婚礼所创作的近乎同时代的婚礼之歌进行了重要比较。因此,这首诗揭示了克伦威尔时期的诗人为向护国宫廷表达自己的心声而努力创造的诗歌语言。文章将这首诗与 1656-1657 年克伦威尔政权的政治调整相结合。文章认为,达文南特自相矛盾的风格试图使宫廷式的epithalamium适应克伦威尔王朝联盟所支持的极简主义宗教解决方案和对新教徒的宽容原则。通过这种方式,这首诗说明了 1650 年代的达文纳特如何与马维尔、埃德蒙-沃勒甚至约翰-弥尔顿一样,被视为克伦威尔王朝的诗人,如何发展其雄心勃勃而又特立独行的关于公共庆典和民间宗教的思想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Politics of Wedding Poetry under the Cromwellian Protectorate: Sir William Davenant and "Hymen's Policy"

Abstract:

This essay presents a reading of Sir William Davenant’s previously unstudied poem “Epithalamium. The Morning after the Marriage of the Earl of Barymore with Mrs. Martha Laurence,” written in October 1656. The poem offers a significant comparison to Andrew Marvell’s near-contemporary wedding song for the marriage of Oliver Cromwell’s daughter Mary. It thereby sheds light on Cromwellian poets’ efforts to formulate a poetic language in which to address the Protectoral court. The essay contextualizes the poem in the political realignment of the Cromwellian regime in 1656–1657. It suggests that Davenant’s paradoxical style attempts to adapt the courtly epithalamium to the minimalistic religious settlement and the principle of toleration for Protestants that underpinned the Cromwellian coalition. In this way, the poem illustrates how the 1650s Davenant can be read as a Cromwellian poet, alongside Marvell, Edmund Waller, and even John Milton, developing his ambitious and idiosyncratic ideas about public festivity and civil religion.

求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.
期刊最新文献
Recreating the Eye of the Beholder: Technopaegnia, Encrypted Reading, and a New Version of "Easter-wings" Motherhood, Building, and Dynasty in the Roman de Melusine Jealousy in Early Modern England Pearl and the Fairies of Romance: Hermeneutics and Intertextuality in a Fourteenth-Century Religious Dream Vision Aid from the Elf-Ruler: Line 1314a and the Pre-Christian Antecedents of Beowulf
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1