{"title":"蓝色男孩：莫里斯-皮亚拉、尼古拉-普桑与艺术作品","authors":"David A. Gerstner","doi":"10.3366/film.2024.0271","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"115 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art\",\"authors\":\"David A. Gerstner\",\"doi\":\"10.3366/film.2024.0271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024. <br/>\",\"PeriodicalId\":42990,\"journal\":{\"name\":\"Film-Philosophy\",\"volume\":\"115 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2024-04-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film-Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/film.2024.0271\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2024.0271","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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