{"title":"Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré's Heal the Living","authors":"Benjamin Dalton","doi":"10.3366/film.2024.0283","DOIUrl":"https://doi.org/10.3366/film.2024.0283","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 534-560, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve","authors":"Martin O’Shaughnessy","doi":"10.3366/film.2024.0279","DOIUrl":"https://doi.org/10.3366/film.2024.0279","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 428-453, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image","authors":"Cassandra Guan","doi":"10.3366/film.2024.0281","DOIUrl":"https://doi.org/10.3366/film.2024.0281","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 477-503, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matthew Rukgaber (2022). Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema","authors":"Paolo Stellino","doi":"10.3366/film.2024.0288","DOIUrl":"https://doi.org/10.3366/film.2024.0288","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 620-623, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"22 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism","authors":"Marco Grosoli","doi":"10.3366/film.2024.0280","DOIUrl":"https://doi.org/10.3366/film.2024.0280","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 454-476, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick","authors":"Martin Woessner","doi":"10.3366/film.2024.0287","DOIUrl":"https://doi.org/10.3366/film.2024.0287","url":null,"abstract":"Film-Philosophy, Volume 28, Issue 3, Page 616-619, October, 2024. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}