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First Nations Australian Cinema and the Unrepresentable: The Sublime in Warwick Thornton’s Sweet Country 澳大利亚原住民电影与不可再现：沃里克·桑顿《甜蜜乡村》中的崇高
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0335
Carl Reinecke
Film-Philosophy, Volume 30, Issue 1, Page 90-114, February, 2026.
电影哲学，第30卷，第1期，第90-114页，2026年2月。
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引用次数: 0
Francesco Casetti (2023). Screening Fears: On Protective Media 弗朗西斯科·卡塞蒂（2023）。筛选恐惧：关于保护性媒体
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0341
Tobijah Rogers
Film-Philosophy, Volume 30, Issue 1, Page 175-177, February, 2026.
电影哲学，第30卷，第1期，第175-177页，2026年2月。
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引用次数: 0
Tanya Shilina-Conte (2025). Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine Tanya Shilina-Conte（2025）。黑幕，白框：吉尔·德勒兹与电影制作机器
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0338
Chiara Quaranta
Film-Philosophy, Volume 30, Issue 1, Page 162-166, February, 2026.
电影哲学，第30卷，第1期，第162-166页，2026年2月。
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引用次数: 0
Kierkegaard and the Education of Anxiety in A Fortunate Man: A Labyrinth of Inwardness 克尔凯郭尔与《一个幸运的人：内心的迷宫》中的焦虑教育
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0334
Rafael Garcia Pavon, Catalina Elena Dobre
Film-Philosophy, Volume 30, Issue 1, Page 67-89, February, 2026.
电影哲学，第30卷，第1期，67-89页，2026年2月。
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引用次数: 0
The Crisis of Voice in the Songs of Pyaasa 《皮亚萨之歌》中声音的危机
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0332
Tanya Desai
Film-Philosophy, Volume 30, Issue 1, Page 21-44, February, 2026.
电影哲学，第30卷，第1期，第21-44页，2026年2月。
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引用次数: 0
Hegel and the Hollywood Western: Violence, Law and the Right of Heroes in The Man Who Shot Liberty Valance 黑格尔与好莱坞西部片：《枪杀自由的人》中的暴力、法律与英雄的权利
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0337
Dylan Shaul
Film-Philosophy, Volume 30, Issue 1, Page 139-161, February, 2026.
电影哲学，第30卷，第1期，第139-161页，2026年2月。
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引用次数: 0
Extremely Tiny and Indivisible Dust: Cinematic Buddhist Studies and the Spatial Experience of Seeing Hans Richter’s Rhythmus 21 极小而不可分割的尘埃：电影佛教研究与观看汉斯·里希特的《节奏21》的空间体验
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0331
Ao Chen
Film-Philosophy, Volume 30, Issue 1, Page 1-20, February, 2026.
电影哲学，第30卷，第1期，第1-20页，2026年2月。
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引用次数: 0
Dominic Lash (2023). Robert Pippin and Film: Politics, Ethics, and Psychology After Modernism 多米尼克·拉什（2023）。罗伯特·皮平与电影：现代主义之后的政治、伦理与心理学
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0340
Logan Canada-Johnson
Film-Philosophy, Volume 30, Issue 1, Page 171-174, February, 2026.
电影哲学，第30卷，第1期，第171-174页，2026年2月。
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引用次数: 0
Francesco Sticchi (2025). The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World 弗朗西斯科·斯蒂奇（2025）。当代电影中怪物人物的政治：女巫、僵尸和电子人重新魅惑世界的尽头
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0339
Nikolaj Lübecker
Film-Philosophy, Volume 30, Issue 1, Page 167-170, February, 2026.
电影哲学，第30卷，第1期，167-170页，2026年2月。
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引用次数: 0
Aesthetic Experience, Film Comedy and Suffering in Sullivan’s Travels: The Prisoners’ Laughter 苏利文游记中的审美体验、电影喜剧与苦难：囚犯的笑声
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2026-02-02 DOI: 10.3366/film.2026.0336
Scott Robinson
Film-Philosophy, Volume 30, Issue 1, Page 115-138, February, 2026.
电影哲学，第30卷，第1期，第115-138页，2026年2月。
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引用次数: 0
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