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Film-Philosophy最新文献

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Existential and Phenomenological Horror in Les Diaboliques 《恶魔》中的存在主义与现象学恐怖
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0291
Daniel Tilsley
Film-Philosophy, Volume 29, Issue 1, Page 23-45, February, 2025.
《电影哲学》，第29卷第1期，第23-45页，2025年2月。
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引用次数: 0
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger 《居住在深渊：赫尔佐格和海德格尔的社会》
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0296
Haotian Wu
Film-Philosophy, Volume 29, Issue 1, Page 144-168, February, 2025.
电影哲学，第29卷，第1期，第144-168页，2025年2月。
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引用次数: 0
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood 谦逊的芭比：理想、真实和对真实自我的追求
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0290
John Michael Corrigan, Justin Prystash
Film-Philosophy, Volume 29, Issue 1, Page 1-22, February, 2025.
《电影哲学》，第29卷，第1期，第1-22页，2025年2月。
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引用次数: 0
Eternity Descending into Time: Badiou and the Cinematic Temporality of Love 永恒降入时间：巴迪欧与爱情的电影时间性
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0299
Lu Zeng
Film-Philosophy, Volume 29, Issue 1, Page 221-243, February, 2025.
电影哲学，29卷，第1期，221-243页，2025年2月。
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引用次数: 0
Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve 思辨转换：黑格尔、约翰·休斯顿的《白鲸记》和《溶解》
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0298
Joshua Harold Wiebe
Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025.
电影哲学，第29卷，第1期，第199-220页，2025年2月。
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引用次数: 0
Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Jean Ma（2022）。在睡眠的边缘：移动的图像和昏昏欲睡的观众
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0303
Juan Camilo Velásquez
Film-Philosophy, Volume 29, Issue 1, Page 288-291, February, 2025.
电影哲学，29卷，第1期，288-291页，2025年2月。
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引用次数: 0
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment 安德烈·兹维亚金采夫《归来与放逐》的电影神话建构
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0294
Louis Samuel Mealing
Film-Philosophy, Volume 29, Issue 1, Page 94-118, February, 2025.
电影哲学，第29卷，第1期，第94-118页，2025年2月。
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引用次数: 0
The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment 动作模式：《22英里》和高度中介化体现的张力
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0295
Jonah Jeng
Film-Philosophy, Volume 29, Issue 1, Page 119-143, February, 2025.
电影哲学，第29卷，第1期，第119-143页，2025年2月。
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引用次数: 0
The Ethics of Refusal in Terrence Malick’s A Hidden Life 泰伦斯·马力克《隐秘生活》中的拒绝伦理
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0293
Marguerite La Caze, Magdalena Zolkos
Film-Philosophy, Volume 29, Issue 1, Page 72-93, February, 2025.
《电影哲学》，第29卷，第1期，第72-93页，2025年2月。
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引用次数: 0
Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship Julian Hanich & Martin P. Rossouw（编辑）（2023）。电影有什么好处？论旁观的价值
IF 0.2 3区 艺术学 0 FILM, RADIO, TELEVISION
Film-Philosophy
Pub Date : 2025-01-20 DOI: 10.3366/film.2025.0302
Francesco Sticchi
Film-Philosophy, Volume 29, Issue 1, Page 283-287, February, 2025.
电影哲学，29卷，第1期，283-287页，2025年2月。
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引用次数: 0
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