"我不能把孩子带到这个世界上":聆听和书写我与BirthStrike的诗歌感言

Leola Meynell
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引用次数: 0

摘要

为气候而生(BirthStrike for Climate)是一场以英国为基地的运动,其成员 "罢工 "反对生孩子,以表明迫切需要对气候变化采取政治行动。在本文中,我利用《倾听指南》(Gilligan & Eddy,2017 年)来倾听、追踪和构建 "我的诗歌",这些 "我的诗歌 "是 BirthStrike 成员在 2019-2020 年间在线发表的证词陈述。我的分析侧重于 "生育罢工 "故事如何阐述气候变化的社会心理影响,特别是与环境和社会危机时期生(或不生)孩子的问题有关的影响。我提供了如何将《倾听指南》应用于非口语文本的迭代方法。正如我将展示的那样,即使在没有研究参与者的情况下,我的倾听过程也是一种亲身体验:这些故事打动了我,激起了我强烈的情感共鸣,反过来又影响了我的倾听和写作过程。因此,我的分析是为了让大家了解我在聆听故事时所感受到的情感流动,这既是一个聆听的过程,也是一个被召唤从主体间位置做出回应的过程。
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“I Cannot Bring A Child Into This World”: Hearing And Writing I Poems With BirthStrike Testimonials
BirthStrike for Climate was a UK-based movement whose members “striked” against having children, to demonstrate the desperate need for political action on climate change. In this article, I engage with the Listening Guide (Gilligan & Eddy, 2017) to hear, trace and construct “I poems” with BirthStrike members’ testimonial statements, which were published online between 2019-2020. My analysis focusses on how BirthStrike stories articulate the psychosocial impacts of climate change, particularly in relation to questions about having (and not having) children in times of environmental and social crises. I provide an iteration of how the Listening Guide can be applied to non-spoken texts. As I will show, even in the absence of research participants, the listening process for me was a relational encounter: the stories moved me, stirring up strong affective resonances which in turn informed my hearing and writing process. My analysis is therefore an effort to give access to the affective flow I felt in response to the stories, as a process of both listening and being called to respond from an intersubjective location.
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