微笑面具背后

Q2 Arts and Humanities Barnboken Pub Date : 2024-04-17 DOI:10.14811/clr.v47.883
Tuva Haglund, Malin Nauwerck
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引用次数: 0

摘要

主题母亲与母爱插图:©Stina Wirsén 《漂亮面具的背后》:当代关于代孕和疾病的图画书中脆弱的母性 儿童和成人作为图画书的双重受众,在朗读过程中共同参与。对许多父母来说,为孩子朗读是基本的、亲密的母爱关怀行为之一(里奇;霍尔姆)。在本研究中,我们研究了 2010 年至 2022 年期间在瑞典出版的有关代孕和有关身患精神或身体疾病的父母的绘本。这两类图画书都描绘了与父母身份、母性和母爱相关的脆弱性,而且通常都是自传体、小众出版或自行出版。以儿童文学中成人代理的批判理论(罗斯、诺德尔曼和博韦)为基础的分析方法使我们发现,这两本关于代孕和疾病的图画书都向儿童读者传达了直截了当且往往是感伤的信息,而从成人的角度则可以发现更复杂且可能存在问题的成人欲望和需求。通过投射的儿童视角(Rhedin),我们的材料为脆弱的成人读者提供了与母性/母爱相关的表述和认可,而这种母性/母爱并没有被明确地认为是充分或合法的。图画书的传统美学和教学用途价值,以及朗读对母性的积极影响,在这一合法化过程中至关重要。同时,隐含的儿童读者也是成人希望正常和幸福结局的投射面。虽然隐藏在成人投射的背后,但正是这个 "强大 "的孩子(博韦)最终有能力承认并证明父母在即将到来的未来中的正确性,而这个未来是成人作者和隐含的成人读者都无法控制的。
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Bakom den leende masken
Theme: Motherhood and Mothering. Ill. ©Stina Wirsén Behind the Pretty Mask: Vulnerable Mothering in Contemporary Picturebooks about Surrogacy and Illness Children and adults, the dual audience of picturebooks, are joined in the act of reading aloud. For many parents, reading to their child constitutes one of the basic, intimate care practices of mothering (Rich; Holm). In this study, we examine picturebooks about surrogacy and about mothering parents who are mentally or physically ill, published in Sweden in the period between 2010 and 2022. Both types of books depict a vulnerability in relation to parenthood, motherhood and mothering and are often autobiographical and niche- or self-published. With an analytical approach grounded in critical theories of adult agency in children’s literature (Rose; Nodelman; Beauvais), we find that both picturebooks about surrogacy and illness communicate straightforward and often sentimental messages to the child reader, whereas more complex and possibly problematic adult desires and needs can be detected on the level of the adult address. Through the projected child perspective (Rhedin), our material offers the vulnerable adult reader representation and recognition in relation to a motherhood/mothering that is not unequivocally considered sufficient or legitimate. The traditional aesthetics and pedagogical use-value of the picturebook as well as the positive maternal associations to reading aloud, are essential in this legitimization process. Meanwhile, the implied child reader functions as a projection surface for adult wishes of normalcy and happy endings. Although hidden behind adult projections, it is this “mighty” child (Beauvais) who ultimately has the power to acknowledge and justify the parents in an impending future which reaches beyond the control of both adult writer and implied adult reader.
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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