Political Performativity in Performance Culture: Xenophon’s Hipparchikos and the Dithyrambic Chorus

This article examines Xenophon’s suggestion for conducting cavalry displays in Eq. mag. 3 and develops the argument that the text is a significant document of Xenophon’s thought about political performativity as well as of 4th century Athenian political culture. I argue that one of Xenophon’s strategies to reform the relationship between the Athenian demos and the ideologically fraught elite institution of the cavalry was to conduct public displays that draw on the aesthetics and formal features of New Dithyramb. On the basis of my analysis, I argue that understanding political performances requires closer attention to specific audience expectations, aesthetic norms, and cultural power, and suggest that Xenophon was a political thinker and actor who was highly attentive to such issues in the Athenian context.