引领他人:舞伴舞漫长世纪中的性别与殖民主义

IF 0.4 2区 艺术学 0 DANCE DANCE RESEARCH JOURNAL Pub Date : 2024-05-08 DOI:10.1017/s0149767723000311
David Kaminsky
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引用次数: 0

摘要

19 世纪 40 年代,波尔卡舞热潮确立了领舞/跟舞伴舞作为大西洋世界规范社交舞蹈结构的地位。在这一过程中,它将资产阶级异族父权制(最初由华尔兹发展而来)的编排表演强加给了欧洲的殖民地和后殖民地。然而,社交舞伴舞蹈中领舞/跟舞系统的核心机制是女性的身体姿态,随着姿态性质的变化,相关舞蹈也会发生变化。在美洲,接受非洲多中心原则文化熏陶的妇女打破了 "领舞/跟舞 "动态平衡,催生了新的舞伴舞蹈形式和技巧。一方面,这导致了领舞/跟舞系统的强化,男子现在可以控制和塑造舞伴身体的分离部分。另一方面,这也导致了舞伴关系本身的分裂和最终解体。
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Leading the Other: Gender and Colonialism in Partner Dancing's Long Century

In the 1840s, the polka craze established lead/follow partner dancing as the normative social dance structure in the Atlantic world. In the process, it imposed a choreographed performance of bourgeois heteropatriarchy (originally developed with the waltz) on Europe's colonies and post-colonies. However, a central mechanism of the lead/follow system in social partner dance is the woman's body attitude, and as the nature of that attitude changes, so do the associated dances. In the Americas, women acculturated to African-rooted principles of polycentricity disrupted the equilibrium of the lead/follow dynamic, catalyzing the creation of new partner dance forms and techniques. On the one hand, this resulted in an intensification of the lead/follow system such that men could now control and shape the dissociated parts of their partners’ bodies. On the other hand, it also seeded the fissioning and eventual dissolution of the dance partnership itself.

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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
15
期刊介绍: Dance Research Journal is the longest running, peer reviewed journal in its field, and has become one of the foremost international outlets for dance research scholarship. The journal carries scholarly articles, book reviews, and a list of books and journals received.
期刊最新文献
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