瓦格纳之神的黄昏：重新审视魏斯曼和马拉美对瓦格纳的诗学批判

IF 0.1 3区文学 0 LITERATURE, ROMANCE NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2024-05-06 DOI:10.1353/ncf.2024.a926098

Adeline Heck

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摘要

摘要:本文对魏斯曼的诗歌意译《唐毫瑟的序曲》（L'Ouverture de Tannhæuser，1885 年）和马拉美的十四行诗《致敬》（Hommage，1886 年）进行了比较研究。这些文本是《瓦格纳评论》的编辑爱德华-杜雅尔丹（Édouard Dujardin）在三人参加了一场瓦格纳选段音乐会后委托创作的。然而，尽管最初存在这种联系，这两首瓦格纳诗歌却从未被并列分析过。本文首次将这两首诗并列在一起，以揭示他们对瓦格纳和音乐的态度的共性，而这两位作者都没有接受过正规的音乐教育。最终，我认为这两首诗作为创作和评论文本，有助于将法国瓦格纳主义定义为一场分裂于对瓦格纳的崇敬和不敬之间的运动。这些诗歌对 "理查德-瓦格纳之神 "及其崇拜者进行了嘲讽，这种反讽姿态为 1880 年代中期法国先锋派对诗歌规范的质疑铺平了道路。

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Twilight of the Wagnerian God: Reexamining Huysmans's and Mallarmé's Poetic Critique of Wagner

Abstract:

This article offers a comparative study of Huysmans's poetic paraphrase "L'Ouverture de Tannhæuser" (1885) and Mallarmé's sonnet "Hommage" (1886). The texts were commissioned by the editor of the Revue wagnérienne, Édouard Dujardin, following a concert of Wagnerian excerpts the three attended. However, despite that original connection, these two Wagnerian poems have never been analyzed side by side. This essay is the first to juxtapose them in order to uncover commonalities in their attitude toward Wagner and music, a subject in which neither author was formally trained. Ultimately, I argue that the poems as creative and critical texts helped define French Wagnerism as a movement split between its reverence and irreverence of Wagner. They did so by poking fun at the "God Richard Wagner" and his cult-like following, an iconoclastic gesture that paved the way for the questioning of poetic norms among the French avant-garde of the mid–1880s.

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来源期刊

NINETEENTH-CENTURY FRENCH STUDIES LITERATURE, ROMANCE-

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期刊介绍： Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.