追溯近期印度电影中仇视伊斯兰教的根源

IF 0.6 Q4 SOCIOLOGY COMPARATIVE SOCIOLOGY Pub Date : 2024-05-03 DOI:10.1163/15691330-bja10104
Suchismita Das, Satanik Pal
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引用次数: 0

摘要

本文分析了近期印度仇视伊斯兰教电影的兴起。虽然社交媒体似乎导致了印度民族主义和伊斯兰恐惧症在近期的兴起,但我们必须认识到这种说法并不全面。印度国内伊斯兰恐惧症的兴起可以追溯到 20 世纪的自由斗争,在这场斗争中,不同领导人、艺术家和活动家的著作中都出现了对甘地社区和谐理念的反叙述。近来,社交媒体通过 Youtube 等平台让这些思想重新传播开来,《克什米尔档案》或《喀拉拉邦的故事》等电影也因此获得成功。
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Tracing the Roots of Islamophobia in Recent Indian Films

This article analyses the recent rise of Islamophobic films in India. While it may seem that social media has led to a rise in Hindu nationalism and Islamophobia in the recent past, it is crucial to recognize that this narrative is incomplete. The rise of Islamophobia in the country can be traced back to the 20th century freedom struggle where a counter-narrative to Gandhian concepts of communal harmony can be found in the writings of various leaders, artists and activists. Social media has allowed for a re-proliferation of those strands of thought in recent times through the platforms such as Youtube, which has led to the success of movies like The Kashmir Files or The Kerala Story.

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来源期刊
CiteScore
0.90
自引率
16.70%
发文量
26
期刊介绍: Comparative Sociology is a quarterly international scholarly journal dedicated to advancing comparative sociological analyses of societies and cultures, institutions and organizations, groups and collectivities, networks and interactions. All submissions for articles are peer-reviewed double-blind. The journal publishes book reviews and theoretical presentations, conceptual analyses and empirical findings at all levels of comparative sociological analysis, from global and cultural to ethnographic and interactionist. Submissions are welcome not only from sociologists but also political scientists, legal scholars, economists, anthropologists and others.
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