{"title":"存在与缺失：关于 Éliane Radigue 的 ARP 2500 合成器技术的笔记","authors":"Daniel Silliman","doi":"10.1080/07494467.2024.2348272","DOIUrl":null,"url":null,"abstract":"This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique\",\"authors\":\"Daniel Silliman\",\"doi\":\"10.1080/07494467.2024.2348272\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...\",\"PeriodicalId\":44746,\"journal\":{\"name\":\"Contemporary Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-05-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/07494467.2024.2348272\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2024.2348272","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique
This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and technical information about her instrument t...
期刊介绍：
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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